Difference between revisions of "Spawn of Azathoth"
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Updated and expanded on the 1984 original with new encounters and expanded historical and background material. | Updated and expanded on the 1984 original with new encounters and expanded historical and background material. | ||
| − | The cover illustration by Tom Sullivan originally appeared as a colour plate inside the [http://www.yog-sothoth.com/wiki/index.php?title=Call_of_Cthulhu%2C_4th_Edition&action=edit Fourth Edition] of the Call of Cthulhu rulebook. | + | The cover illustration by Tom Sullivan originally appeared as a colour plate inside the [http://www.yog-sothoth.com/wiki/index.php?title=Call_of_Cthulhu%2C_4th_Edition&action=edit Fourth Edition] of the Call of Cthulhu rulebook. It was originally commissioned as the cover painting for the "Great Old Ones" supplement. It depicted a scene from a scenario which Sandy Petersen was going to write for the GOO book, but was never completed. |
[[Category:CoC:Supplements]] | [[Category:CoC:Supplements]] | ||
Revision as of 05:11, 4 October 2006
Publisher: Chaosium Inc.
Product Code: 23101
Authors: Keith Herber with David Conyers, Don Coatar, Jeff Carey, Steve Hatherley, Sandy Petersen and Lynn Willis
Artists: Paul Carrick, David Conyers, Andy Hopp, Michael Mislet, Kevin Ramos and Tom Sullivan
Era: 1920s
Published: 2005
Format: Softcover
Pages: 200
TODO
Specify version differences - this is the second edition described here.
Contents
Introduction, A Ghostly Presence, Providence Rhode Island, Garrison Montana, St Augustine Florida, The Andaman Islands, Ulthar and Beyond, The Eternal Quest, The Tibetan Interior, Appendices, Index
Comments
First and only supplement to feature H.P. Lovecraft as a character (although he is not home when the investigators visit him).
Updated and expanded on the 1984 original with new encounters and expanded historical and background material.
The cover illustration by Tom Sullivan originally appeared as a colour plate inside the Fourth Edition of the Call of Cthulhu rulebook. It was originally commissioned as the cover painting for the "Great Old Ones" supplement. It depicted a scene from a scenario which Sandy Petersen was going to write for the GOO book, but was never completed.
