Difference between revisions of "User:SavageBob/Sandbox"
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==Details== | ==Details== | ||
| − | [[File: | + | [[File:Whispers of Harlem cover.png|right|thumb|Kickstarter edition cover]] |
| + | '''Pages:''' | ||
| + | * (Kickstarter exclusive ed.) 35 | ||
| + | * (2nd ed.) 31 | ||
| − | ''' | + | '''Author:''' [[Chris Spivey]] |
| − | ''' | + | '''Artists:''' [[Alex Mayo]], [[Brennen Reece]], [[Jabari Weathers]] |
| − | ''' | + | '''Editor(s):''' |
| + | * (1st ed.) [[Dixie Cochran]], [[Adam Alexander]], [[Jill Spivey]] | ||
| + | * (2nd ed.) [[Dixie Cochran]], [[Jill Spivey]], [[Adam Alexander]], [[Mike Mason]] | ||
| − | ''' | + | '''Setting:''' [[Harlem]], [[New York]], November 1928 |
| − | ''' | + | '''Appears in:''' |
| + | * (1st ed.) ''[[Whispers of Harlem (Supplement)|Whispers of Harlem]]'' | ||
| + | * (2nd ed.) ''[[Harlem Unbound]]'', 2nd ed. | ||
| − | + | ==Summary== | |
| + | TBD | ||
| − | ''' | + | ==Spoilers - Keepers Eyes Only== |
| + | '''Players should not read any further.''' | ||
| + | <!-- DO NOT DELETE THE LINE IMMEDIATELY ABOVE --> | ||
| + | |||
| + | ===Synopsis=== | ||
| + | {{spoiler|TBD.}} | ||
| − | + | ===References=== | |
| − | ''' | + | '''Player Handouts:''' |
| + | * Recruitment Call | ||
| + | * Walker’s Brunch Invitation | ||
| + | * Working Request Letter | ||
| + | * St. Clair’s Calling Card | ||
| + | * Dark Tower Flyer | ||
| + | * Zora's Letter | ||
| + | * Evening Edition (newspaper) | ||
| + | * Playbill | ||
| + | '''Locations:''' | ||
| + | * Abyssinian Baptist Church | ||
| + | * The Dark Tower | ||
| + | * Displaced Tower of the Doomed | ||
| + | * Hobby Horse | ||
| + | * Mount Morris Park | ||
| + | * Police Station | ||
| + | * Queenie’s Lair | ||
| + | * Reece’s Rowhouse | ||
| − | ''' | + | '''Creatures:''' |
| + | * [[Baron in Blues]] (avatar of [[Azathoth]]) | ||
| + | * [[Hound of Tindalos]] | ||
| − | + | '''Organizations''' | |
| + | * TBD | ||
| − | + | '''Spells''' | |
| + | * Call Baron in Blues ([[Summon Azathoth]] variant) | ||
| − | == | + | '''Tomes''' |
| − | + | * ''[[Book of Azathoth]]'' | |
| + | |||
| + | ===Comments=== | ||
| − | == | + | ===Keeper Comments=== |
| − | + | The scenario offers several paths in to permit different types of investigators to participate. For instance, blue-collar workers may be hired as staff at the Dark Tower; literary, artistic, and musical types can be part of the performer lineup; and criminals can be sent by the crime lord Queenie St. Claire to find out who killed her man, James Reece. The introduction suggests that once the Keeper settles on a single path in, they can streamline the investigation by trimming extraneous NPCs from the scenario. In a similar vein, the scenario can more easily fit into a single session if the Keeper starts the events at the Dark Tower rather than roleplaying how the investigators got there. | |
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| − | + | As written, Wilmore's time-altering spell doesn't start taking effect until late in the evening. However, the Keeper can easily move the weirdness earlier in the scenario, perhaps by having performers, guests, or staff of the Dark Tower disappear mysteriously. In searching for these lost people, the investigators may find themselves traveling through time to various points in Harlem's past, where they have to rescue the people who have gone missing. (The scenario has one such encounter, but it assumes the investigators rescue a woman from her own time and potentially pull her forward into the future.) Then, when Wilmore casts his spell more fully, the scenario can be run as written, with the Dark Tower shifted into a warped spacetime. | |
| − | '' | ||
| − | |||
| − | + | Another possibility to add tension to the scenario is to have Wilmore's nemesis, Gault, be present at the Dark Tower. As written, Gault is in Hollywood and doesn't play much role in the events except to stoke Wilmore's desire for revenge. Bringing him to Harlem (and perhaps turning Wilmore and Gault into playwrights rather than filmmakers) might open the door for more open conflict between Wilmore and his one-time partner. | |
| − | |||
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| − | [[Category:CoC: | + | <!-- |
| + | {{DEFAULTSORT:Dreams and Broken Wings}} | ||
| + | [[Category:CoC:Scenarios]] | ||
| + | [[Category:CoC:1920s scenarios]] | ||
| + | [[Category:CoC:Apartment scenarios]] | ||
| + | [[Category:CoC:Art scenarios]] | ||
| + | [[Category:CoC:City scenarios]] | ||
| + | [[Category:CoC:Combat-light scenarios]] | ||
| + | [[Category:CoC:Complex scenarios]] | ||
| + | [[Category:CoC:Crime scenarios]] | ||
| + | [[Category:CoC:Formless Spawn of Tsathoggua scenarios]] | ||
| + | [[Category:CoC:Malign influence scenarios]] | ||
| + | [[Category:CoC:Many-sessions scenarios]] | ||
| + | [[Category:CoC:Missing person scenarios]] | ||
| + | [[Category:CoC:Mythos-light scenarios]] | ||
| + | [[Category:CoC:Occult artefact scenarios]] | ||
| + | [[Category:CoC:Racism scenarios]] | ||
| + | [[Category:CoC:Scenarios featuring the Dreamlands]] | ||
| + | [[Category:CoC:Scenarios set in Harlem]] | ||
| + | [[Category:CoC:Scenarios set in New York City]] | ||
| + | [[Category:CoC:Scenarios set in New York state]] | ||
| + | [[Category:CoC:Scenarios set in the USA]] | ||
| + | [[Category:CoC:Scenarios suitable for small groups]] | ||
| + | [[Category:CoC:Studio and workshop scenarios]] | ||
| + | [[Category:CoC:Theater scenarios]]--> | ||
__NOTOC__ | __NOTOC__ | ||
Revision as of 19:11, 23 May 2020
Details
Pages:
- (Kickstarter exclusive ed.) 35
- (2nd ed.) 31
Author: Chris Spivey
Artists: Alex Mayo, Brennen Reece, Jabari Weathers
Editor(s):
- (1st ed.) Dixie Cochran, Adam Alexander, Jill Spivey
- (2nd ed.) Dixie Cochran, Jill Spivey, Adam Alexander, Mike Mason
Setting: Harlem, New York, November 1928
Appears in:
- (1st ed.) Whispers of Harlem
- (2nd ed.) Harlem Unbound, 2nd ed.
Summary
TBD
Spoilers - Keepers Eyes Only
Players should not read any further.
Synopsis
Spoiler Section (Highlight to Read)
TBD.
References
Player Handouts:
- Recruitment Call
- Walker’s Brunch Invitation
- Working Request Letter
- St. Clair’s Calling Card
- Dark Tower Flyer
- Zora's Letter
- Evening Edition (newspaper)
- Playbill
Locations:
- Abyssinian Baptist Church
- The Dark Tower
- Displaced Tower of the Doomed
- Hobby Horse
- Mount Morris Park
- Police Station
- Queenie’s Lair
- Reece’s Rowhouse
Creatures:
- Baron in Blues (avatar of Azathoth)
- Hound of Tindalos
Organizations
- TBD
Spells
- Call Baron in Blues (Summon Azathoth variant)
Tomes
Comments
Keeper Comments
The scenario offers several paths in to permit different types of investigators to participate. For instance, blue-collar workers may be hired as staff at the Dark Tower; literary, artistic, and musical types can be part of the performer lineup; and criminals can be sent by the crime lord Queenie St. Claire to find out who killed her man, James Reece. The introduction suggests that once the Keeper settles on a single path in, they can streamline the investigation by trimming extraneous NPCs from the scenario. In a similar vein, the scenario can more easily fit into a single session if the Keeper starts the events at the Dark Tower rather than roleplaying how the investigators got there.
As written, Wilmore's time-altering spell doesn't start taking effect until late in the evening. However, the Keeper can easily move the weirdness earlier in the scenario, perhaps by having performers, guests, or staff of the Dark Tower disappear mysteriously. In searching for these lost people, the investigators may find themselves traveling through time to various points in Harlem's past, where they have to rescue the people who have gone missing. (The scenario has one such encounter, but it assumes the investigators rescue a woman from her own time and potentially pull her forward into the future.) Then, when Wilmore casts his spell more fully, the scenario can be run as written, with the Dark Tower shifted into a warped spacetime.
Another possibility to add tension to the scenario is to have Wilmore's nemesis, Gault, be present at the Dark Tower. As written, Gault is in Hollywood and doesn't play much role in the events except to stoke Wilmore's desire for revenge. Bringing him to Harlem (and perhaps turning Wilmore and Gault into playwrights rather than filmmakers) might open the door for more open conflict between Wilmore and his one-time partner.