Difference between revisions of "Fish-Man Films (Genre)"

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==Summary==
 
==Summary==
 
<!-- Provide a description of the genre that captures the spirit of the genre. -->
 
<!-- Provide a description of the genre that captures the spirit of the genre. -->
This page lists films about "gill-men" or "fish-men"; a tremendous number of low-budget films of this type have been made since the original "Creature of the Black Lagoon", one of the earliest and most successful examples of the genre which would set many of the standard "tropes" for the sub-genre:  typically, the Fish-Man lives in harmony with nature, undisturbed for aeons, before being discovered by modern science and industry, prompting the monster to rampage against bikini-clad beach babes.  The success of ''[[Jaws (1975 film)]]'' injected some "tropes" from from that film and its clones into the Fish-Man subgenre, including greedy tourism bureaucrats and local businessmen taking the place of scientists and industrialists, and trying to cover-up the Fish-Man's killings and rapes on profitable luxury beaches and vacation spots, while working-class fishermen, rogue-cop rangers, and other 1970s anti-heroes try to stop the monster and save lives, and the 1980s would see such films begin consciously adopting less-subtle Green-friendly messages about Fish-Men heroes striking back on behalf of the environment against hunters, polluters, rednecks, capitalists, and other usual suspects, often while wise Noble Savages look on and nod in approval.
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This page lists films about "gill-men" or "fish-men"; a tremendous number of low-budget films of this type have been made since the original "Creature of the Black Lagoon", one of the earliest and most successful examples of the genre which would set many of the standard "tropes" for the sub-genre:  typically, the Fish-Man lives in harmony with nature, undisturbed for aeons, before being discovered by modern science and industry, prompting the monster to rampage against bikini-clad beach babes.  The genre sometimes borrows from ''The Island of Doctor Moreau'', with mad scientists playing god by turning back the clock of evolution on modern man with fish- or lizard-serums and/or hypnotism.  The success of ''[[Jaws (1975 film)]]'' injected some "tropes" from from that film and its clones into the Fish-Man subgenre, including greedy tourism bureaucrats and local businessmen taking the place of scientists and industrialists, and trying to cover-up the Fish-Man's killings and rapes on profitable luxury beaches and vacation spots, while working-class fishermen, rogue-cop rangers, and other 1970s anti-heroes try to stop the monster and save lives, and the 1980s would see such films begin consciously adopting less-subtle Green-friendly messages about Fish-Men heroes striking back on behalf of the environment against hunters, polluters, rednecks, capitalists, and other usual suspects, often while wise Noble Savages look on and nod in approval.
  
 
==Details==
 
==Details==
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* ''[[Swamp of the Lost Souls (1957 film)]]'' AKA ''Swamp of the Lost Monster'' ([http://www.imdb.com/title/tt0058629/ IMDB]) - (Mexican) A disappearing body leads a detective and his sidekick into an encounter with a gill man.  
 
* ''[[Swamp of the Lost Souls (1957 film)]]'' AKA ''Swamp of the Lost Monster'' ([http://www.imdb.com/title/tt0058629/ IMDB]) - (Mexican) A disappearing body leads a detective and his sidekick into an encounter with a gill man.  
 
* ''[[The Monster of Piedras Blancas (1959 film)]]'' ([http://www.imdb.com/title/tt0051947/ IMDB]) - When a sea monster's appetite outstrips a lighthouse keeper's ability to serve it, bloodless and decapitated corpses start to show up.
 
* ''[[The Monster of Piedras Blancas (1959 film)]]'' ([http://www.imdb.com/title/tt0051947/ IMDB]) - When a sea monster's appetite outstrips a lighthouse keeper's ability to serve it, bloodless and decapitated corpses start to show up.
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* ''[[The Alligator People (1959 film)]]'' ([http://www.imdb.com/title/tt0052549/ IMDB]) - A woman in a hypnotic state recounts to two doctors the details of a horrific experience from her past life that began with the mysterious and sudden disappearance of her husband.
 
* ''[[The City Under the Sea (1965 film)|War-Gods of the Deep (1965 film)]]''  
 
* ''[[The City Under the Sea (1965 film)|War-Gods of the Deep (1965 film)]]''  
 
* ''[[The Horror of Party Beach (1965 film)]]'' ([http://www.imdb.com/title/tt0058208/ IMDB]) - Sea creatures created from radioactive sludge terrorize a beach community.  
 
* ''[[The Horror of Party Beach (1965 film)]]'' ([http://www.imdb.com/title/tt0058208/ IMDB]) - Sea creatures created from radioactive sludge terrorize a beach community.  

Revision as of 02:22, 11 March 2018

A standard-issue Fish-Man, from Creature from the Black Lagoon (1954 franchise)

Summary

This page lists films about "gill-men" or "fish-men"; a tremendous number of low-budget films of this type have been made since the original "Creature of the Black Lagoon", one of the earliest and most successful examples of the genre which would set many of the standard "tropes" for the sub-genre: typically, the Fish-Man lives in harmony with nature, undisturbed for aeons, before being discovered by modern science and industry, prompting the monster to rampage against bikini-clad beach babes. The genre sometimes borrows from The Island of Doctor Moreau, with mad scientists playing god by turning back the clock of evolution on modern man with fish- or lizard-serums and/or hypnotism. The success of Jaws (1975 film) injected some "tropes" from from that film and its clones into the Fish-Man subgenre, including greedy tourism bureaucrats and local businessmen taking the place of scientists and industrialists, and trying to cover-up the Fish-Man's killings and rapes on profitable luxury beaches and vacation spots, while working-class fishermen, rogue-cop rangers, and other 1970s anti-heroes try to stop the monster and save lives, and the 1980s would see such films begin consciously adopting less-subtle Green-friendly messages about Fish-Men heroes striking back on behalf of the environment against hunters, polluters, rednecks, capitalists, and other usual suspects, often while wise Noble Savages look on and nod in approval.

Details

Film List

"Lovecraftian" Analysis

Generally, the only link between these movies and Lovecraft will be in a superficial resemblance between the Fish-Men and Lovecraft's Deep Ones. The main difference between the two will usually be that the Fish-Man is more symbolic of nature, disturbed by blundering modern, civilized man, where Lovecraft's Deep Ones are typically more of a primordial corruption lurking just beneath the surface of everything Lovecraft held to be civilized, sane, clean, pure, honest (and, ultimately, Anglo-Saxon, aristocratic, conservative, asexual, and atheist in background and outlook....)

Associated Mythos Elements

  • setting: typically locations where the interests of civilization, science, industry, and progress meet the savage beauty of nature's wilderness, in tropical islands, remote beaches, unexplored swamps, isolated lakes in the mountains, etc.
  • race: Deep Ones - after a fashion
  • organization/cult: Esoteric Order of Dagon, Cult of Cthulhu, etc.
  • deity: Cthulhu, Dagon, Mother Hydra might be suggested as some likely suspects


Keeper Notes

  • Keepers might get more mileage from subverting the themes and plots of these films by having a Lovecraftian theme (Man-vs.-Unknown, Man-vs.-Awful Truth, etc.) hidden behind the standard Nature-vs.-Man themes of the Fish-Man genre.


General Notes

Comments, Trivia, Dedication

Synopses (SPOILERS)

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