Difference between revisions of "H.P. Lovecraft"
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Lovecraft's poetry is collected in ''The Ancient Track: The Complete Poetical Works of H. P. Lovecraft'', while much of his juvenilia, various essays on philosophical, political and literary topics, antiquarian travelogues, and other things, can be found in ''Miscellaneous Writings''. Also, Lovecraft's essay ''Supernatural Horror in Literature'', first published in 1927, is a historical survey of horror literature available with endnotes as ''The Annotated Supernatural Horror in Literature''. | Lovecraft's poetry is collected in ''The Ancient Track: The Complete Poetical Works of H. P. Lovecraft'', while much of his juvenilia, various essays on philosophical, political and literary topics, antiquarian travelogues, and other things, can be found in ''Miscellaneous Writings''. Also, Lovecraft's essay ''Supernatural Horror in Literature'', first published in 1927, is a historical survey of horror literature available with endnotes as ''The Annotated Supernatural Horror in Literature''. | ||
| + | |||
| + | ===Writing phases=== | ||
| + | Lovecraft had three very distinct categories of fiction in which he wrote during his life. Although the groups' stories were often written in overlapping time periods with the other groups, there were still periods where almost all of Lovecraft's writings could be categorized in one of the below mentioned groups. It should be noted that these distinctions have been drawn by others and not by Lovecraft himself. | ||
| + | *[[Macabre]] stories (approximately 1905–1920) | ||
| + | *[[H.P. Lovecraft's Dream-Cycle|Dream-Cycle]] stories (approximately 1920–1927) | ||
| + | *[[Cthulhu Mythos]] stories (approximately 1925–1935) | ||
| + | It might also be noted that some critics see little difference between the Dream-Cycle and the Mythos, often pointing to the recurring Necronomicon and subsequent 'gods'. A frequently given explanation is that the Dream-Cycle belongs more to the genre of fantasy, while the Mythos is science fiction. | ||
| + | |||
| + | ===Letters=== | ||
| + | Despite the fact that Lovecraft is mostly known for his works of weird fiction, the bulk of Lovecraft's writing mainly consists of voluminous letters about a variety of topics, from weird fiction and art criticism to politics and history. S. T. Joshi estimates that Lovecraft wrote about 87,500 letters from 1912 until his death in 1937 — one famous letter from [[November 9]], [[1929]] to Woodburn Harris being 70 pages in length. | ||
| + | |||
| + | Lovecraft was not a very active letter-writer in youth. In 1931 he admitted: "In youth I scarcely did any letter-writing - thanking anybody for a present was so much of an ordeal that I would rather have written a two hundred fifty-line pastoral or a twenty-page treatise on the rings of Saturn." (SL 3.369–70). The initial interest in letters stemmed from his correspondence with his cousin Phillips Gamwell but even more important was his involvement in the amateur journalism movement, which was responsible for the enormous number of letters Lovecraft produced. | ||
| + | |||
| + | Lovecraft clearly states that his contact to numerous different people through letter-writing was one of the main factors in broadening his view of the world: "I found myself opened up to dozens of points of view which would otherwise never have occurred to me. My understanding and sympathies were enlarged, and many of my social, political, and economic views were modified as a consequence of increased knowledge." (SL 4.389). | ||
| + | |||
| + | Today there are four publishing houses that have released letters from Lovecraft — Arkham House with its five-volume edition ''Selected Letters'' being the most prominent. Other publishers are Hippocampus Press (''Letters to Alfred Galpin'' et al.), Night Shade Books (''Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei'' et al.) and Necronomicon Press (''Letters to Samuel Loveman and Vincent Starrett'' et al). | ||
Revision as of 16:08, 5 January 2006
Howard Phillips Lovecraft (August 20, 1890 – March 15, 1937) was an American author of fantasy and horror fiction, noted for giving horror stories a science fiction framework. Lovecraft's readership was limited during his life, but his works have become quite important and influential among writers and fans of horror fiction.
Contents
Biography
Lovecraft was born on 20 August 1890 in his family home at 454 (then 194) Angell Street in Providence, Rhode Island. His father was Winfield Scott Lovecraft, a traveling salesman of jewelry and precious metals. His mother was Sarah Susan Phillips Lovecraft, who could trace her ancestors in America back to their arrival in the Massachusetts Bay Colony in 1630. Unusual for the time, both were in their 30s when they married, and it was the first marriage for both. Howard was their only child. When Lovecraft was three his father became acutely psychotic at a hotel in Chicago, Illinois, where he was on a business trip, and was brought back to Butler Hospital in Providence, where he remained for the rest of his life. His affliction was general paresis.
Lovecraft was thereafter raised by his mother, two aunts (Lillian Delora Phillips and Annie Emeline Phillips), and his grandfather, Whipple Van Buren Phillips, with whom they lived until his death. Lovecraft was a child prodigy, reciting poetry at age two and writing complete poems by six. His grandfather encouraged his reading, providing him with classics such as The Arabian Nights, Bulfinch's Age of Fable, and children's versions of The Iliad and The Odyssey. His grandfather also stirred young Howard's interest in the weird by telling him original tales of Gothic horror.
Lovecraft was frequently ill as a child and was said by his biographer (L. Sprague de Camp) to have suffered from a rare disease known as poikilothermism, the result of which made him always feel cold to the touch. He attended school only sporadically but he read much. He produced several hectographed publications with a limited circulation beginning in 1899 with The Scientific Gazette.
Whipple Van Buren Phillips died in 1904, and the family was subsequently impoverished by mismanagement of his property and money. The family was forced to move down the street to 598 Angell Street, accommodations which were much smaller and less comfortable. Lovecraft was deeply affected by the loss of his home and birthplace and even contemplated suicide for a time. He suffered a nervous breakdown in 1908, as a result of which he never received his high school diploma. This failure to complete his education — his hopes of ever entering Brown University dashed — nagged at him for the rest of his life, and he in fact maintained that he was a highschool graduate.
Lovecraft wrote fiction as a youth, but then set it aside for some time in favour of poetry and essays, before returning to fiction in 1917 with more polished stories such as The Tomb and Dagon. The latter was his first professionally published work, appearing in Weird Tales in 1923. Also around this time he began to build up his huge network of correspondents. His lengthy and frequent missives would make him one of the great letter writers of the century. Among his correspondents were the young Forrest J. Ackerman, Robert Bloch (Psycho) and Robert E. Howard (Conan the Barbarian series).
Lovecraft's mother also was committed to the Butler Hospital, where she died from surgical complications on May 21, 1921.
Shortly after, he attended an amateur journalist convention where he met Sonia Greene. She was Ukrainian, a Jew, and, having been born in 1883, seven years older than Lovecraft. They married in 1924, and the couple moved to the Borough of Brooklyn in New York City. Lovecraft's aunts may have been unhappy with this arrangement. Lovecraft himself rather disliked New York life. A few years later he and Greene agreed to an amicable divorce, and he returned to Providence to live with his aunts during their remaining years. Due to the unhappiness of their marriage, some biographers have speculated that Lovecraft could have been asexual.
Back in Providence Lovecraft lived in a "spacious brown Victorian wooden house" at 10 Barnes Street until 1933 (this is the address given as the home of Dr. Willett in The Case of Charles Dexter Ward). The period after his return to Providence — the last decade of his life — was Lovecraft's most prolific. During this time period he produced almost all of his best known short stories for the leading pulp publications of the day (primarily Weird Tales) as well as longer efforts like The Case of Charles Dexter Ward and At the Mountains of Madness. He frequently revised work for other authors and did a large amount of ghost-writing.
Despite his best writing efforts, however, he grew ever poorer. He was forced to move to smaller and meaner lodgings with his surviving aunt. He was also deeply affected by Robert E. Howard's suicide. In 1936 he was diagnosed with cancer of the intestine and he also suffered from malnutrition. He lived in constant pain until his death the following year (1937) in Providence, Rhode Island.
Lovecraft's grave in Swan Point Cemetery in Providence is occasionally marked with graffiti quoting his famous phrase from The Call of Cthulhu (originally from The Nameless City):
- "That is not dead which can eternal lie,
- And with strange aeons even death may die."
Lovecraft was listed along with his parents on the Phillips family monument. That was not enough for his fans, so in 1977 a group of individuals pitched in to buy him a headstone of his own. They chose a plain block of granite, on which they had inscribed Lovecraft's name, the dates of his birth and death and the phrase, "I AM PROVIDENCE," a line from one of his personal letters.
Background of Lovecraft's work
Much of Lovecraft's work was directly inspired by his nightmares, and it is perhaps this direct insight into the subconscious and its symbolism that helps to account for their continuing resonance and popularity. All these interests naturally led to his deep affection for the works of Edgar Allan Poe, who heavily influenced his earliest macabre stories and writing style. Lovecraft's discovery of the stories of Lord Dunsany moved his writing in a new direction, resulting in a series of imitative fantasies in a "Dreamlands" setting. It was probably the influence of Arthur Machen, with his carefully constructed tales concerning the survival of ancient evil, and his mystic beliefs in hidden mysteries which lay behind reality, that finally helped inspire Lovecraft to find his own voice from 1923 onwards. This took on a dark tone with the creation of what is today often called the Cthulhu Mythos, a pantheon of alien extra-dimensional deities and horrors which predate mankind, and which are hinted at in aeon-old myths and legends. The strangeness of the mythos' style may have been influenced, and was certainly foreshadowed, by the paintings of Hieronymus Bosch. The term 'Cthulhu Mythos' was coined by Lovecraft's correspondent and fellow author, August Derleth, after Lovecraft's death; Lovecraft referred to his artificial mythology as "Yog-Sothothery"[1]. His stories created one of the most influential plot devices in all of horror: the Necronomicon, the secret grimoire written by the mad Arab Abdul Alhazred. The resonance and strength of the Mythos concept have led some to believe that Lovecraft had based it on actual myth, and faux editions of the Necronomicon have also been published over the years.
His prose is somewhat antiquarian. He was fond of heavy use of unfamiliar adjectives such as "eldritch", "rugose", "noisome", "squamous", and "cyclopean", and of attempts to transcribe dialect speech which have been criticized as inaccurate. His works also featured British English (he was an admitted Anglophile), and he sometimes made use of anachronistic spellings, such as "compleat/complete" and "lanthorn/lantern".
Lovecraft was a prolific letter writer, inscribing multiple pages to his group of correspondents in small longhand. He sometimes dated his letters 200 years before the current date, which would have put the writing back in U.S. colonial times, before the American Revolution that offended his Anglophilia. He explained that he thought that the 18th and 20th centuries were the best; the former being a period of noble grace, and the latter a century of science. In his view, the 19th century, particularly the Victorian era, was a "mistake".
Survey of the work
The definitive editions (specifically At the Mountains of Madness and Other Novels, Dagon and Other Macabre Tales, The Dunwich Horror and Others, and The Horror in the Museum and Other Revisions) of his prose fiction are published by Arkham House, a publisher originally started with the intent of publishing the work of Lovecraft, but which has since published a considerable amount of other literature as well.
Lovecraft's poetry is collected in The Ancient Track: The Complete Poetical Works of H. P. Lovecraft, while much of his juvenilia, various essays on philosophical, political and literary topics, antiquarian travelogues, and other things, can be found in Miscellaneous Writings. Also, Lovecraft's essay Supernatural Horror in Literature, first published in 1927, is a historical survey of horror literature available with endnotes as The Annotated Supernatural Horror in Literature.
Writing phases
Lovecraft had three very distinct categories of fiction in which he wrote during his life. Although the groups' stories were often written in overlapping time periods with the other groups, there were still periods where almost all of Lovecraft's writings could be categorized in one of the below mentioned groups. It should be noted that these distinctions have been drawn by others and not by Lovecraft himself.
- Macabre stories (approximately 1905–1920)
- Dream-Cycle stories (approximately 1920–1927)
- Cthulhu Mythos stories (approximately 1925–1935)
It might also be noted that some critics see little difference between the Dream-Cycle and the Mythos, often pointing to the recurring Necronomicon and subsequent 'gods'. A frequently given explanation is that the Dream-Cycle belongs more to the genre of fantasy, while the Mythos is science fiction.
Letters
Despite the fact that Lovecraft is mostly known for his works of weird fiction, the bulk of Lovecraft's writing mainly consists of voluminous letters about a variety of topics, from weird fiction and art criticism to politics and history. S. T. Joshi estimates that Lovecraft wrote about 87,500 letters from 1912 until his death in 1937 — one famous letter from November 9, 1929 to Woodburn Harris being 70 pages in length.
Lovecraft was not a very active letter-writer in youth. In 1931 he admitted: "In youth I scarcely did any letter-writing - thanking anybody for a present was so much of an ordeal that I would rather have written a two hundred fifty-line pastoral or a twenty-page treatise on the rings of Saturn." (SL 3.369–70). The initial interest in letters stemmed from his correspondence with his cousin Phillips Gamwell but even more important was his involvement in the amateur journalism movement, which was responsible for the enormous number of letters Lovecraft produced.
Lovecraft clearly states that his contact to numerous different people through letter-writing was one of the main factors in broadening his view of the world: "I found myself opened up to dozens of points of view which would otherwise never have occurred to me. My understanding and sympathies were enlarged, and many of my social, political, and economic views were modified as a consequence of increased knowledge." (SL 4.389).
Today there are four publishing houses that have released letters from Lovecraft — Arkham House with its five-volume edition Selected Letters being the most prominent. Other publishers are Hippocampus Press (Letters to Alfred Galpin et al.), Night Shade Books (Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei et al.) and Necronomicon Press (Letters to Samuel Loveman and Vincent Starrett et al).