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	<id>https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Innocents_%281961_film%29</id>
	<title>The Innocents (1961 film) - Revision history</title>
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	<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;action=history"/>
	<updated>2026-04-24T10:32:55Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;diff=25192&amp;oldid=prev</id>
		<title>Ywhateley: New details added.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;diff=25192&amp;oldid=prev"/>
		<updated>2017-03-27T16:12:12Z</updated>

		<summary type="html">&lt;p&gt;New details added.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 16:12, 27 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Do &amp;#039;&amp;#039;they&amp;#039;&amp;#039; ever return to possess the living?&amp;quot;&amp;#160; A young governess for two children becomes convinced that the house, grounds, and children are haunted. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Depravity... apparitions... evils... corruptions:&amp;#160; &lt;/ins&gt;Do &amp;#039;&amp;#039;they&amp;#039;&amp;#039; ever return to possess the living?&amp;quot;&amp;#160; A young governess for two children becomes convinced that the house, grounds, and children are haunted. &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;diff=25191&amp;oldid=prev</id>
		<title>Ywhateley: New details added.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;diff=25191&amp;oldid=prev"/>
		<updated>2017-03-27T15:48:13Z</updated>

		<summary type="html">&lt;p&gt;New details added.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:48, 27 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l132&quot; &gt;Line 132:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 132:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* fiction:&amp;#160; [[Henry James]], &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* fiction:&amp;#160; [[Henry James]], &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* fiction:&amp;#160; compare/contrast to Lovecraft&amp;#039;s treatment of similar themes in &amp;quot;[[The Case of Charles Dexter Ward (fiction)]]&amp;quot;, &amp;quot;[[The Tomb (fiction)]]&amp;quot;, etc.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* fiction:&amp;#160; compare/contrast to Lovecraft&amp;#039;s treatment of similar themes in &amp;quot;[[The Case of Charles Dexter Ward (fiction)]]&amp;quot;, &amp;quot;[[The Tomb (fiction)]]&amp;quot;, etc.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* film:&amp;#160; a storyline from the original series of the &amp;#039;&amp;#039;[[Dark Shadows (1966 franchise)]]&amp;#039;&amp;#039; is a loose adaptation of this story, in which the ghosts of Quentin Collins and Beth Chavez haunt a disused wing of Collinwood and possess two children living in the mansion....&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* film:&amp;#160; compare/contrast to &amp;#039;&amp;#039;[[The Haunting (1963 film)]]&amp;#039;&amp;#039;, another well-respected and often-imitated Gothic horror classic from the same era....&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* film:&amp;#160; compare/contrast to &amp;#039;&amp;#039;[[The Haunting (1963 film)]]&amp;#039;&amp;#039;, another well-respected and often-imitated Gothic horror classic from the same era....&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;diff=25190&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Innocents_(1961_film)&amp;diff=25190&amp;oldid=prev"/>
		<updated>2017-03-27T15:41:15Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Innocents 1961film.jpg|thumb|200px|right|Scene from &amp;#039;&amp;#039;The Innocents (1961 film)]&amp;#039;&amp;#039;...]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;The Innocents&amp;#039;&amp;#039; (1961), AKA &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039;; prequel &amp;#039;&amp;#039;The Nightcomers&amp;#039;&amp;#039; (1972); remake/re-adaptations &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039; (1974), &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039; (1992), &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039; (Spanish language &amp;#039;&amp;#039;Otra vuelta de tuerca&amp;#039;&amp;#039;, 1985), &amp;#039;&amp;#039;Presence of Mind&amp;#039;&amp;#039; (1999), &amp;#039;&amp;#039;In a Dark Place&amp;#039;&amp;#039; (2006), &amp;#039;&amp;#039;Through the Shadow&amp;#039;&amp;#039; (Brazilian Portuguese &amp;#039;&amp;#039;Através da Sombra&amp;#039;&amp;#039;, 2016)&lt;br /&gt;
&lt;br /&gt;
==Summary==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Short, Spoiler-Free Summary; tag-line or elevator pitch.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do &amp;#039;&amp;#039;they&amp;#039;&amp;#039; ever return to possess the living?&amp;quot;  A young governess for two children becomes convinced that the house, grounds, and children are haunted. &lt;br /&gt;
&lt;br /&gt;
==Details==&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
This list of details is partly intended for those films produced by&lt;br /&gt;
film-makers, performers, producers/studios, etc. that tend to make&lt;br /&gt;
&amp;quot;Lovecraftian&amp;quot; films, for ease of finding related or similar films.&lt;br /&gt;
This list is also partly intended to make it easier to identify a&lt;br /&gt;
specific film out of many with the same name, to make them easier to&lt;br /&gt;
tell apart - some stories have been adapted numerous times by different&lt;br /&gt;
amateur short film makers!  Some films have a &amp;quot;TVTropes&amp;quot; page, which&lt;br /&gt;
will often detail obscure &amp;quot;Lovecraftian&amp;quot; elements of a film that this&lt;br /&gt;
wiki misses, and, if a TVTropes page exists, it can be a useful&lt;br /&gt;
resource.  Feel free to remove any sections that are irrelevant, &lt;br /&gt;
unknown, or unnecessary.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Release Date:  1961&lt;br /&gt;
* Country/Language:  UK, English&lt;br /&gt;
* Genres/Technical:  Horror (Gothic horror, psychological horror); black-and-white&lt;br /&gt;
* Setting:  [[Gaslight]] [[England]]&lt;br /&gt;
* Runtime:  1 hr 40 min  &lt;br /&gt;
* Starring:  Deborah Kerr, Martin Stephens, Pamela Franklin, Peter Wyngarde, Megs Jenkins&lt;br /&gt;
* Director:  Jack Clayton&lt;br /&gt;
* Writer:  [[Henry James]] (novel), William Archibald and Truman Capote (screenplay), John Mortimer (additional scenes &amp;amp; dialogue)&lt;br /&gt;
* Producer/Production Co:  Achilles, Twentieth Century Fox Film Corporation&lt;br /&gt;
* View Trailer: ([https://www.youtube.com/watch?v=BiW89dreaew link])&lt;br /&gt;
* TVTropes: ([http://tvtropes.org/pmwiki/pmwiki.php/Film/TheInnocents link])&lt;br /&gt;
* IMDB Page:  ([http://www.imdb.com/title/tt0055018/ link])&lt;br /&gt;
&lt;br /&gt;
==Ratings==&lt;br /&gt;
===[http://www.mpaa.org/film-ratings/ MPAA Ratings]===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
I&amp;#039;ve been including this information for those of us who like to watch&lt;br /&gt;
Lovecraft movies with family, including younger children, and want to&lt;br /&gt;
avoid any awkwardness.&lt;br /&gt;
E.G., &amp;quot;Rated: R (Violence, Nudity, Language....)&amp;quot; &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Rated:  (approved) (perhaps equivalent to a modern PG-13 for Adult Content, off-screen Violence, and mild Profanity)&lt;br /&gt;
&lt;br /&gt;
I actually grew up watching movies like this with relatively careful parents for the time, and didn&amp;#039;t notice the &amp;quot;adult content&amp;quot; in this one until I was in my teens, though more precocious children and/or sensitive families might catch on and find that aspect more disturbing than I did.  In any case, the themes of indiscretion, sexual violence, child abuse, incest, etc. stay mostly buried under a repressed Victorian Gothic haze of euphemism, implication, and indirect reference, except for when they suddenly and ambiguously appear at an ominous distance, half-emerge from menacing shadows, or explode cathartic and violent outbursts like the other &amp;quot;ghosts&amp;quot; in this film, with the film&amp;#039;s metaphor resulting in adult content and psychological horror that are all but indistinguishable from a more literal haunting.&lt;br /&gt;
&lt;br /&gt;
===Tentacle Ratings===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Use one of the following lines, and edit it as appropriate.  Follow it with an&lt;br /&gt;
explanation/description of how it qualifies as &amp;quot;Lovecraftian&amp;quot;, such as any&lt;br /&gt;
name-dropping of Lovecraft&amp;#039;s creations, whether it&amp;#039;s based on a Lovecraft story&lt;br /&gt;
and if so which one, whether it&amp;#039;s simply &amp;quot;feels&amp;quot; kind of Lovecraftian, etc.)&lt;br /&gt;
Some examples:  one tentacle only if the mood and atmosphere are right but it&amp;#039;s &lt;br /&gt;
not based on a Lovecraft story and contains no specific Lovecraftian elements even&lt;br /&gt;
in spirit; one tentacle only if it mentions specifically Lovecraftian elements but&lt;br /&gt;
isn&amp;#039;t based on Lovecraft story and doesn&amp;#039;t have the right mood; one tentacle only &lt;br /&gt;
if it has some tentacle monsters but the mood isn&amp;#039;t very Lovecraftian and specific&lt;br /&gt;
Lovecraft creations aren&amp;#039;t mentioned by name; if the film is based on a recognizable&lt;br /&gt;
Lovecraft story it automatically gets two tentacles, and may get a third or more&lt;br /&gt;
depending on if Lovecraftian monsters are present, the mood and atmosphere are&lt;br /&gt;
suitably Lovecraftian in tone, and if the work is particularly accurate and true to&lt;br /&gt;
the spirit of the original story.&lt;br /&gt;
* S____ (One Tentacle:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone, could be a very loose adaptation)&lt;br /&gt;
* SSS__ (Three Tentacles: Lovecraftian, was probably written by Lovecraft himself.)&lt;br /&gt;
* SSSS_ (Four Tentacles: Unusually Lovecraftian; written by Lovecraft, a remarkably faithful adaptation)&lt;br /&gt;
* SSSSS (Five Tentacles: definitively Lovecraftian; everything you&amp;#039;d expect from a Lovecraft adaptation and more)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
A rough [[Tentacle Ratings|measure]] of how &amp;quot;Lovecraftian&amp;quot; the work is:&lt;br /&gt;
* Ss___ (One and a Half Tentacles:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
&lt;br /&gt;
This really only has the Gothic, cosmic horror atmosphere in common with Lovecraft&amp;#039;s work, but I&amp;#039;ll bump this this up to &amp;quot;One and a Half&amp;quot; Tentacles&amp;quot;, just for the way that the vague and indirect references to the indiscretions and crimes of the servants work together with the creepy setting, unsettling behavior of the children, unstable psychology of the governess, and unreliable exposition from everyone involved add up to an interpretation from the governess that hints at something cosmically transgressive, outre, and foul occurring with the children; Lovecraft himself mentions the novel that this masterpiece of horror cinema was based on one of the more exceptional examples of cosmic horror penned by authors who normally wouldn&amp;#039;t write such a thing... the &amp;quot;ghosts&amp;quot; in the film slowly accumulate an ominous presence and power over the governess&amp;#039; imagination as she immerses herself deeper and deeper into her fantasy that the children are haunted until the invasive presence of the &amp;quot;Things&amp;quot; looms over the story like some alien, Lovecraftian horror, and as a result this film comes a little closer in spirit to Lovecraftian horror than you find in a more pedestrian creepy-kid or haunted-house movie.  The result comes across a bit like what Lovecraft might have written had his interests lain with human psychology, rather than astronomy, genealogy, antiquarianism, and archaeology....&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Note:  This rating is not intended as a measure of quality, merely of &lt;br /&gt;
how closely related to Lovecraftian &amp;quot;Weird&amp;quot; fiction the work is.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Reviews===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of reviews for the work, along with the review&amp;#039;s rating (for example, &amp;quot;4/5 Stars&amp;quot;) &lt;br /&gt;
* Author_andor_Location, ([URL link]) - RATING &lt;br /&gt;
* (review needed)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
Review Links:&lt;br /&gt;
* (review needed)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Synopsis (SPOILERS)==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Should be an objective, unbiased, detailed synopsis of film&amp;#039;s plot and themes.&lt;br /&gt;
The following optional spoiler code apparently works badly on smart phones.) &lt;br /&gt;
{{spoiler|plot}}&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{spoiler|&lt;br /&gt;
Impressionable, unstable, and inexperienced governess Miss Giddens is hired by an unapologetically self-centered bachelor to care for the unwanted orphaned children, &amp;quot;the innocents&amp;quot; Miles and Flora, that were placed in his custody and then abandoned to irresponsible servants in his remote country estate so that he can enjoy his hedonistic and selfish life in the city.  Miss Giddens is at first enchanted by the fragile Flora, who she meets at the estate, and by the glowing reputation that her brother Miles has with Flora and the servants, but her enchantment slowly turns to disillusionment and then horror after she finally meets Miles when he is ejected from school for vaguely-described behavior which has profoundly disturbed the other students and the school staff, and arrives home to greet Miss Giddens with an unsuitable kiss.  Based on the unsettling and precocious behavior of the children, their references to a previous governess and her charismatic and apparently abusive lover and estate gardener - Miss Jessell and Quint, both now dead from violence - and then gossip from the other servants, the soon terrified Miss Giddens begins to construct an unsettling fantasy that the children are haunted and possessed by the dead lovers, and are being forced to act out their unhealthy relationship.  Miss Giddens appeals to the other servants and then to her unresponsive employer for help and guidance, but is ultimately abandoned to &amp;quot;help&amp;quot; the children in her own irresponsible way, and by the end of the movie Flora suffers a breakdown and Miles is mysteriously dead from Miss Giddens&amp;#039; attempts to &amp;quot;save&amp;quot; them.  Because we never directly see or hear the whole story of what is going on - the evidence we do get is gained second-hand from &amp;quot;unreliable narrators&amp;quot; who omit important information and disguise the rest through gossip and innuendo from servants who seemed to both admire and hate the dead Jessell and Quint, or hinted at by children who apparently both loved and were abused by Jessell and Quint and may or may not be possessed by their spirits, all of which information is then filtered through to us by the increasingly unstable Miss Giddens - every clue we do get has several possible interpretations, so it&amp;#039;s completely open to interpretation exactly what is really wrong with the children, and how much of what we are told is a product of Miss Giddens&amp;#039; disturbed imagination.  &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&lt;br /&gt;
===Comments, Trivia, Dedication===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional; describe anything known or reported by experts about the &lt;br /&gt;
origin of the story or inspiration for elements of it; list dedication, &lt;br /&gt;
trivia, images, anything else of note &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* The story has been adapted to film numerous times; most of the other adaptations push the adult themes across the line from ambiguous and subtle into ham-handed and crass, and few (if any) are as well-regarded as the 1961 adaptation.&lt;br /&gt;
* Much of the screenplay is not actually derived from Henry James&amp;#039;s novella &amp;quot;The Turn of the Screw&amp;quot; but from William Archibald&amp;#039;s 1950 Broadway adaptation &amp;quot;The Innocents&amp;quot;. &lt;br /&gt;
* The film takes place in 1898. &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
===Associated Mythos Elements===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of notable Lovecraftian creatures, tomes, Great Old Ones, characters, &lt;br /&gt;
etc. that appear in the film/show/etc.  It helps to specify if it just takes&lt;br /&gt;
the form of general &amp;quot;name-dropping&amp;quot; (someone mentions &amp;quot;Yog-Sothoth!&amp;quot;, but &lt;br /&gt;
Yog-Sothoth doesn&amp;#039;t actually appear; a random creepy tome in the background&lt;br /&gt;
is labeled &amp;#039;&amp;#039;Necronomicon&amp;#039;&amp;#039; but never actually appears, a character is wearing&lt;br /&gt;
a Miskatonic University sweatshirt but the school never makes an appearance...)&lt;br /&gt;
Remove any sections that do not apply.  Note that some unnamed monsters may be&lt;br /&gt;
considered &amp;quot;stand-ins&amp;quot; that are effectively the same as specific Lovecraftian&lt;br /&gt;
monsters, though the film never makes that explicitly clear - for example, a&lt;br /&gt;
standard-issue Gill-Man from &amp;quot;Creature from the Black Lagoon&amp;quot; might be labeled&lt;br /&gt;
a &amp;quot;Deep One&amp;quot; for the purposes of this Wiki, even though any resemblance is&lt;br /&gt;
probably unintentional.  Vaguely/generically &amp;quot;Lovecraftian&amp;quot; elements might &lt;br /&gt;
include [[Human Cultist]]s, [[Tentacle Monster]]s, &amp;#039;&amp;#039;[[Necronomicon Ex-Mortis]]&amp;#039;&amp;#039;,&lt;br /&gt;
and the mysterious outer/astral dimension we might call the [[Other Side]]....)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* fiction:  [[Henry James]], &amp;#039;&amp;#039;The Turn of the Screw&amp;#039;&amp;#039;&lt;br /&gt;
* fiction:  compare/contrast to Lovecraft&amp;#039;s treatment of similar themes in &amp;quot;[[The Case of Charles Dexter Ward (fiction)]]&amp;quot;, &amp;quot;[[The Tomb (fiction)]]&amp;quot;, etc.&lt;br /&gt;
* film:  compare/contrast to &amp;#039;&amp;#039;[[The Haunting (1963 film)]]&amp;#039;&amp;#039;, another well-respected and often-imitated Gothic horror classic from the same era....&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Keeper Notes===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional.  Notes to Keepers on using this for film for scenario ideas.  &lt;br /&gt;
Heresies and Controversies:  this is also a good place to include non-canon &lt;br /&gt;
and controversial aspects of the film&amp;#039;s mythos.  Suggested Alternative Theories &lt;br /&gt;
include:  Derleth&amp;#039;s elemental scheme; pseudo-science interpretation; &amp;quot;fanon&amp;quot; &lt;br /&gt;
interpretations; unofficial humorous or eccentric versions; identification with &lt;br /&gt;
&amp;quot;Real Life&amp;quot; mythological, religious, folklore, natural, and historical phenomena; &lt;br /&gt;
rumor and speculation contribute some flexibility and ambiguity to the mythos. &lt;br /&gt;
* Alternative_theory.  ([[source]])  &lt;br /&gt;
This section is more commonly used on YSDC Wiki pages for suggesting ways to&lt;br /&gt;
adapt the film to use as a Call of Cthulhu scenario; the Keeper Notes section &lt;br /&gt;
might include multiple such suggested adaptations.&lt;br /&gt;
* (One/two sentence story inspired by the film, starring investigators.)&lt;br /&gt;
TIP:  Film plots are often difficult to adapt into RPG scenarios; try having&lt;br /&gt;
the investigators arrive after the events from the movie have started happening&lt;br /&gt;
or have already happened to NPCs, and leave the investigators to piece together&lt;br /&gt;
the clues to find out what happened.  Adaptations of film plots to RPG scenarios &lt;br /&gt;
almost always benefit from changing cosmetic details around until the exact story&lt;br /&gt;
is no longer easily recognizable, by changing the setting, descriptions of monsters,&lt;br /&gt;
character names, and that sort of thing.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* The investigators arrive to sift fact from fantasy after a series of strange and unfortunate events on a remote rural estate leave one young orphan dead, another insane, and their governess convinced that &amp;quot;the innocents&amp;quot; under her care were possessed by the disembodied spirits of a pair of dead servants; the case is not as clear-cut as it seems to be at first, when clues begin to reveal that the dead servants happen to have been Mythos cultists, and the governess herself may also have been acting under the influence of something unnatural....&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Add any of the following categories that apply to the end of the page; &lt;br /&gt;
the first (DEFAULTSORT) is used to sort the film by something other than &lt;br /&gt;
a leading The/A/An so that it alphabetizes correctly.  A &amp;quot;Short&amp;quot; is &lt;br /&gt;
less than an hour long (perhaps an episode of a TV anthology program, music&lt;br /&gt;
video, or short-subject amateur film); &amp;quot;Film&amp;quot; is a longer feature-length movie&lt;br /&gt;
(longer than an hour), &amp;quot;Series_or_Serial&amp;quot; may include TV programs, serials, &lt;br /&gt;
and mini-series; &amp;quot;Franchise&amp;quot; is a series of Films, perhaps including feature-&lt;br /&gt;
length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{DEFAULTSORT:Innocents, The}}&lt;br /&gt;
[[Category:Film:General]]&lt;br /&gt;
[[Category:Film:Film]]&lt;br /&gt;
[[Category:Film:InfluenceAdaptation]]&lt;br /&gt;
[[Category:Film:MindTransferDoppelgangers]]&lt;br /&gt;
[[Category:Film:GothicHorror]]&lt;br /&gt;
[[Category:Film:Two-Tentacle Media]]&lt;br /&gt;
&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
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