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	<id>https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Ghoul_%282016_film%29</id>
	<title>The Ghoul (2016 film) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Ghoul_%282016_film%29"/>
	<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;action=history"/>
	<updated>2026-04-24T12:34:17Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=35488&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Broken review link replaced with a link to an archived copy of the review</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=35488&amp;oldid=prev"/>
		<updated>2021-04-05T12:35:31Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Broken review link replaced with a link to an archived copy of the review&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:35, 5 April 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l87&quot; &gt;Line 87:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 87:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Clifford at Reeling Reviews (B+) ([https://www.reelingreviews.com/theghoulbluray.htm Link]) - &amp;quot;Tunley&amp;#039;s psychological thriller keeps turning the screws, events becoming ever more sinister after Morland enters the picture (McGivern calls to mind &amp;quot;&amp;#039;&amp;#039;A Clockwork Orange&amp;#039;&amp;#039;&amp;#039;s&amp;quot; Patrick Magee). Chris is photographed as if he&amp;#039;s at the bottom of a cavern, his tiny room dwarfing him inside, buildings looming over him out, camerawork which begins shakily handheld ironically turning smoother the creepier things get, unsteadier as the film builds to its climax.&amp;#160; Shepherd&amp;#039;s dynamic score ranges from ethereal gloom to Hitchcockian to gothic harpsichord - and back again.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Clifford at Reeling Reviews (B+) ([https://www.reelingreviews.com/theghoulbluray.htm Link]) - &amp;quot;Tunley&amp;#039;s psychological thriller keeps turning the screws, events becoming ever more sinister after Morland enters the picture (McGivern calls to mind &amp;quot;&amp;#039;&amp;#039;A Clockwork Orange&amp;#039;&amp;#039;&amp;#039;s&amp;quot; Patrick Magee). Chris is photographed as if he&amp;#039;s at the bottom of a cavern, his tiny room dwarfing him inside, buildings looming over him out, camerawork which begins shakily handheld ironically turning smoother the creepier things get, unsteadier as the film builds to its climax.&amp;#160; Shepherd&amp;#039;s dynamic score ranges from ethereal gloom to Hitchcockian to gothic harpsichord - and back again.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &amp;quot;Essentially, &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has the plot of an episode of &amp;quot;&amp;#039;&amp;#039;Tales of the Unexpected&amp;#039;&amp;#039;&amp;quot; except for it doesn’t really have a pay-off which, when you get to the point in the film when you realise how it is going to end, makes watching it feel like a bit of a waste of time. ... &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has ambition and moments of potential but is let down massively by the fact that there isn’t really a story there and the whole thing has the feel of a showreel piece for something to come later on – hopefully it will be something more cohesive and rewarding.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &amp;quot;Essentially, &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has the plot of an episode of &amp;quot;&amp;#039;&amp;#039;Tales of the Unexpected&amp;#039;&amp;#039;&amp;quot; except for it doesn’t really have a pay-off which, when you get to the point in the film when you realise how it is going to end, makes watching it feel like a bit of a waste of time. ... &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has ambition and moments of potential but is let down massively by the fact that there isn’t really a story there and the whole thing has the feel of a showreel piece for something to come later on – hopefully it will be something more cohesive and rewarding.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Alexa Dalby at Britflicks (3/5 Stars) ([http://www.britflicks.com/review/606 link]) - &amp;quot;In writer/director Gareth Tunley’s intricately written film, as seen through its central character’s unreliable, possibly disintegrating, perspective is anyone who they appear to be? Events are open to contradictory reinterpretations. In fact, do they really happen? It doesn’t really fit into any genre – partly shot like a police procedural, partly breaking out into poetic wide shots of the London skyline, partly a study of descent into delusion with a sense of reality being slightly skewed...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Alexa Dalby at Britflicks (3/5 Stars) ([&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https://web.archive.org/web/20181101183826/&lt;/ins&gt;http://www.britflicks.com/review/606 link]) - &amp;quot;In writer/director Gareth Tunley’s intricately written film, as seen through its central character’s unreliable, possibly disintegrating, perspective is anyone who they appear to be? Events are open to contradictory reinterpretations. In fact, do they really happen? It doesn’t really fit into any genre – partly shot like a police procedural, partly breaking out into poetic wide shots of the London skyline, partly a study of descent into delusion with a sense of reality being slightly skewed...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/fantasy/ghoul-2016.htm link]) - &amp;quot;&amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; begins deceptively. We are introduced to Tom Meeten as a police detective who is asked to solve a baffling double murder and is assigned to go undercover as a patient... ... As the film goes on, we realises what we are watching is a mindfuck of the first order.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/fantasy/ghoul-2016.htm link]) - &amp;quot;&amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; begins deceptively. We are introduced to Tom Meeten as a police detective who is asked to solve a baffling double murder and is assigned to go undercover as a patient... ... As the film goes on, we realises what we are watching is a mindfuck of the first order.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=30617&amp;oldid=prev</id>
		<title>Graham: /* Reviews */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=30617&amp;oldid=prev"/>
		<updated>2018-11-28T10:23:02Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:23, 28 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot; &gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anton Bitel at Projected Figures ([http://projectedfigures.com/2016/10/14/the-ghoul-2016/ link]) - &amp;quot;In this dark vision of London as a circular Hell, Tunley has the confidence to leave much of the heavy narrative lifting to the viewer. For while he takes us on this heady round trip whose ultimate destination is a tragedy of mysterious, misremembered motives and Möbian madness, he is also content to give us two maps for the same lost highway, without presuming to tell us which is the more accurate.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anton Bitel at Projected Figures ([http://projectedfigures.com/2016/10/14/the-ghoul-2016/ link]) - &amp;quot;In this dark vision of London as a circular Hell, Tunley has the confidence to leave much of the heavy narrative lifting to the viewer. For while he takes us on this heady round trip whose ultimate destination is a tragedy of mysterious, misremembered motives and Möbian madness, he is also content to give us two maps for the same lost highway, without presuming to tell us which is the more accurate.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Joe Bendel at J.B. Spins ([http://jbspins.blogspot.com.au/2017/08/the-ghoul-head-shrinking-and-mind.html link]) - &amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Joe Bendel at J.B. Spins ([http://jbspins.blogspot.com.au/2017/08/the-ghoul-head-shrinking-and-mind.html link]) - &amp;quot;&amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; probably demands too much attention from Rob Zombie horror fans, but if you just focus a little, it will really get under your skin. ... Cinematographer Benjamin Pritchard gives it a dark, dank, eerie look ...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; probably demands too much attention from Rob Zombie horror fans, but if you just focus a little, it will really get under your skin. ... Cinematographer Benjamin Pritchard gives it a dark, dank, eerie look ...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Clifford at Reeling Reviews (B+) ([https://www.reelingreviews.com/theghoulbluray.htm Link]) - &amp;quot;Tunley&amp;#039;s psychological thriller keeps turning the screws, events becoming ever more sinister after Morland enters the picture (McGivern calls to mind &amp;quot;&amp;#039;&amp;#039;A Clockwork Orange&amp;#039;&amp;#039;&amp;#039;s&amp;quot; Patrick Magee). Chris is photographed as if he&amp;#039;s at the bottom of a cavern, his tiny room dwarfing him inside, buildings looming over him out, camerawork which begins shakily handheld ironically turning smoother the creepier things get, unsteadier as the film builds to its climax.&amp;#160; Shepherd&amp;#039;s dynamic score ranges from ethereal gloom to Hitchcockian to gothic harpsichord - and back again.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Clifford at Reeling Reviews (B+) ([https://www.reelingreviews.com/theghoulbluray.htm Link]) - &amp;quot;Tunley&amp;#039;s psychological thriller keeps turning the screws, events becoming ever more sinister after Morland enters the picture (McGivern calls to mind &amp;quot;&amp;#039;&amp;#039;A Clockwork Orange&amp;#039;&amp;#039;&amp;#039;s&amp;quot; Patrick Magee). Chris is photographed as if he&amp;#039;s at the bottom of a cavern, his tiny room dwarfing him inside, buildings looming over him out, camerawork which begins shakily handheld ironically turning smoother the creepier things get, unsteadier as the film builds to its climax.&amp;#160; Shepherd&amp;#039;s dynamic score ranges from ethereal gloom to Hitchcockian to gothic harpsichord - and back again.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &amp;quot;Essentially, &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has the plot of an episode of &amp;quot;&amp;#039;&amp;#039;Tales of the Unexpected&amp;#039;&amp;#039;&amp;quot; except for it doesn’t really have a pay-off which, when you get to the point in the film when you realise how it is going to end, makes watching it feel like a bit of a waste of time. ... &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has ambition and moments of potential but is let down massively by the fact that there isn’t really a story there and the whole thing has the feel of a showreel piece for something to come later on – hopefully it will be something more cohesive and rewarding.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &amp;quot;Essentially, &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has the plot of an episode of &amp;quot;&amp;#039;&amp;#039;Tales of the Unexpected&amp;#039;&amp;#039;&amp;quot; except for it doesn’t really have a pay-off which, when you get to the point in the film when you realise how it is going to end, makes watching it feel like a bit of a waste of time. ... &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has ambition and moments of potential but is let down massively by the fact that there isn’t really a story there and the whole thing has the feel of a showreel piece for something to come later on – hopefully it will be something more cohesive and rewarding.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=30597&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Added review quotes</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=30597&amp;oldid=prev"/>
		<updated>2018-11-28T01:28:16Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Added review quotes&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 01:28, 28 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l83&quot; &gt;Line 83:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 83:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anton Bitel at Projected Figures ([http://projectedfigures.com/2016/10/14/the-ghoul-2016/ link]) - &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anton Bitel at Projected Figures ([http://projectedfigures.com/2016/10/14/the-ghoul-2016/ link]) - &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;In this dark vision of London as a circular Hell, Tunley has the confidence to leave much of the heavy narrative lifting to the viewer. For while he takes us on this heady round trip whose ultimate destination is a tragedy of mysterious, misremembered motives and Möbian madness, he is also content to give us two maps for the same lost highway, without presuming to tell us which is the more accurate.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Joe Bendel at J.B. Spins ([http://jbspins.blogspot.com.au/2017/08/the-ghoul-head-shrinking-and-mind.html link]) - &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Joe Bendel at J.B. Spins ([http://jbspins.blogspot.com.au/2017/08/the-ghoul-head-shrinking-and-mind.html link]) - &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Clifford at Reeling Reviews ([https://www.reelingreviews.com/theghoulbluray.htm Link]) (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;B+&lt;/del&gt;) - &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; probably demands too much attention from Rob Zombie horror fans, but if you just focus a little, it will really get under your skin. ... Cinematographer Benjamin Pritchard gives it a dark, dank, eerie look ...&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Clifford at Reeling Reviews &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(B+) &lt;/ins&gt;([https://www.reelingreviews.com/theghoulbluray.htm Link]) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;- &amp;quot;Tunley&amp;#039;s psychological thriller keeps turning the screws, events becoming ever more sinister after Morland enters the picture &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;McGivern calls to mind &amp;quot;&amp;#039;&amp;#039;A Clockwork Orange&amp;#039;&amp;#039;&amp;#039;s&amp;quot; Patrick Magee&lt;/ins&gt;)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. Chris is photographed as if he&amp;#039;s at the bottom of a cavern, his tiny room dwarfing him inside, buildings looming over him out, camerawork which begins shakily handheld ironically turning smoother the creepier things get, unsteadier as the film builds to its climax.&amp;#160; Shepherd&amp;#039;s dynamic score ranges from ethereal gloom to Hitchcockian to gothic harpsichord &lt;/ins&gt;- &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and back again.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Alexa Dalby at Britflicks ([http://www.britflicks.com/review/606 link]) &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(3&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;5 Stars) - &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;Essentially, &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has the plot of an episode of &amp;quot;&amp;#039;&amp;#039;Tales of the Unexpected&amp;#039;&amp;#039;&amp;quot; except for it doesn’t really have a pay-off which, when you get to the point in the film when you realise how it is going to end, makes watching it feel like a bit of a waste of time. ... &amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; has ambition and moments of potential but is let down massively by the fact that there isn’t really a story there and the whole thing has the feel of a showreel piece for something to come later on – hopefully it will be something more cohesive and rewarding.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at The Science Fiction, Horror and Fantasy Film Review ([http://moria.co.nz/fantasy/ghoul-2016.htm link]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;) (3/5 Stars&lt;/del&gt;) - &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Alexa Dalby at Britflicks &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(3/5 Stars) &lt;/ins&gt;([http://www.britflicks.com/review/606 link]) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;- &amp;quot;In writer&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;director Gareth Tunley’s intricately written film, as seen through its central character’s unreliable, possibly disintegrating, perspective is anyone who they appear to be? Events are open to contradictory reinterpretations. In fact, do they really happen? It doesn’t really fit into any genre – partly shot like a police procedural, partly breaking out into poetic wide shots of the London skyline, partly a study of descent into delusion with a sense of reality being slightly skewed...&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at The Science Fiction, Horror and Fantasy Film Review &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(3/5 Stars) &lt;/ins&gt;([http://moria.co.nz/fantasy/ghoul-2016.htm link]) - &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&amp;quot;&amp;#039;&amp;#039;The Ghoul&amp;#039;&amp;#039;&amp;quot; begins deceptively. We are introduced to Tom Meeten as a police detective who is asked to solve a baffling double murder and is assigned to go undercover as a patient... ... As the film goes on, we realises what we are watching is a mindfuck of the first order.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=30596&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Ghoul_(2016_film)&amp;diff=30596&amp;oldid=prev"/>
		<updated>2018-11-27T18:19:47Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Summary==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Short, Spoiler-Free Summary; tag-line or elevator pitch.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I know its name:  &amp;#039;&amp;#039;The Ghoul!&amp;#039;&amp;#039;&amp;quot; A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.&lt;br /&gt;
&lt;br /&gt;
==Details==&lt;br /&gt;
[[File:Ghoul 2016film.jpg|thumb|200px|right|Packaging for &amp;#039;&amp;#039;The Ghoul (2016 film)&amp;#039;&amp;#039;...]]&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
This list of details is partly intended for those films produced by&lt;br /&gt;
film-makers, performers, producers/studios, etc. that tend to make&lt;br /&gt;
&amp;quot;Lovecraftian&amp;quot; films, for ease of finding related or similar films.&lt;br /&gt;
This list is also partly intended to make it easier to identify a&lt;br /&gt;
specific film out of many with the same name, to make them easier to&lt;br /&gt;
tell apart - some stories have been adapted numerous times by different&lt;br /&gt;
amateur short film makers!  Some films have a &amp;quot;TVTropes&amp;quot; page, which&lt;br /&gt;
will often detail obscure &amp;quot;Lovecraftian&amp;quot; elements of a film that this&lt;br /&gt;
wiki misses, and, if a TVTropes page exists, it can be a useful&lt;br /&gt;
resource.  Feel free to remove any sections that are irrelevant, &lt;br /&gt;
unknown, or unnecessary.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Release Date:  2016&lt;br /&gt;
* Country/Language:  UK, English&lt;br /&gt;
* Genres/Technical:  Horror (psychological horror), Thriller&lt;br /&gt;
* Setting:  [[Modern]] [[UK]]&lt;br /&gt;
* Runtime:  1 hr 25 min  &lt;br /&gt;
* Starring:  Tom Meeten, Alice Lowe, Rufus Jones&lt;br /&gt;
* Director:  Gareth Tunley&lt;br /&gt;
* Writer:  Gareth Tunley&lt;br /&gt;
* Producer/Production Co:  Jack Healy Guttmann, Gareth Tunley, [[Ben Wheatley]], Tom Meeten, Dhiraj Mahey; &lt;br /&gt;
* View Trailer: ([https://www.youtube.com/watch?v=XKmhU8c6hc0 link])&lt;br /&gt;
* IMDB Page:  ([http://www.imdb.com/title/tt3613314/ link])&lt;br /&gt;
&amp;lt;!--* Film Website:  ([URL link])&lt;br /&gt;
* TVTropes: ([URL link])&lt;br /&gt;
* View Film:  ([URL link])--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Ratings==&lt;br /&gt;
===[http://www.mpaa.org/film-ratings/ MPAA Ratings]===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
I&amp;#039;ve been including this information for those of us who like to watch&lt;br /&gt;
Lovecraft movies with family, including younger children, and want to&lt;br /&gt;
avoid any awkwardness.&lt;br /&gt;
E.G., &amp;quot;Rated: R (Violence, Nudity, Language....)&amp;quot; &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Rated:  not rated (maybe equivalent to a PG-13 for Violence and Profanity)&lt;br /&gt;
&lt;br /&gt;
===Tentacle Ratings===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Use one of the following lines, and edit it as appropriate.  Follow it with an&lt;br /&gt;
explanation/description of how it qualifies as &amp;quot;Lovecraftian&amp;quot;, such as any&lt;br /&gt;
name-dropping of Lovecraft&amp;#039;s creations, whether it&amp;#039;s based on a Lovecraft story&lt;br /&gt;
and if so which one, whether it&amp;#039;s simply &amp;quot;feels&amp;quot; kind of Lovecraftian, etc.)&lt;br /&gt;
Some examples:  one tentacle only if the mood and atmosphere are right but it&amp;#039;s &lt;br /&gt;
not based on a Lovecraft story and contains no specific Lovecraftian elements even&lt;br /&gt;
in spirit; one tentacle only if it mentions specifically Lovecraftian elements but&lt;br /&gt;
isn&amp;#039;t based on Lovecraft story and doesn&amp;#039;t have the right mood; one tentacle only &lt;br /&gt;
if it has some tentacle monsters but the mood isn&amp;#039;t very Lovecraftian and specific&lt;br /&gt;
Lovecraft creations aren&amp;#039;t mentioned by name; if the film is based on a recognizable&lt;br /&gt;
Lovecraft story it automatically gets two tentacles, and may get a third or more&lt;br /&gt;
depending on if Lovecraftian monsters are present, the mood and atmosphere are&lt;br /&gt;
suitably Lovecraftian in tone, and if the work is particularly accurate and true to&lt;br /&gt;
the spirit of the original story.&lt;br /&gt;
* _____ (Zero Tentacles: Unrated for Lovecraftian Content)&lt;br /&gt;
* S____ (One Tentacle:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone, could be a very loose adaptation)&lt;br /&gt;
* SSS__ (Three Tentacles: Lovecraftian, was probably written by Lovecraft himself.)&lt;br /&gt;
* SSSS_ (Four Tentacles: Unusually Lovecraftian; written by Lovecraft, a remarkably faithful adaptation)&lt;br /&gt;
* SSSSS (Five Tentacles: definitively Lovecraftian; everything you&amp;#039;d expect from a Lovecraft adaptation and more)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
A rough [[Tentacle Ratings|measure]] of how &amp;quot;Lovecraftian&amp;quot; the work is:&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone, could be a very loose adaptation)&lt;br /&gt;
&lt;br /&gt;
The vaguely Lovecraftian treatment of the titular [[Ghoul]]s as undying sorcerers surviving via thought-transference, as well as themes of paranoia and distorted identity come close in theme to Lovecraft&amp;#039;s work.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Note:  This rating is not intended as a measure of quality, merely of &lt;br /&gt;
how closely related to Lovecraftian &amp;quot;Weird&amp;quot; fiction the work is.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Reviews===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of reviews for the work, along with the review&amp;#039;s rating (for example, &amp;quot;4/5 Stars&amp;quot;) &lt;br /&gt;
* Author_andor_Location, ([URL link]) - RATING &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
Review Links:&lt;br /&gt;
* Anton Bitel at Projected Figures ([http://projectedfigures.com/2016/10/14/the-ghoul-2016/ link]) - &lt;br /&gt;
* Joe Bendel at J.B. Spins ([http://jbspins.blogspot.com.au/2017/08/the-ghoul-head-shrinking-and-mind.html link]) - &lt;br /&gt;
* Laura Clifford at Reeling Reviews ([https://www.reelingreviews.com/theghoulbluray.htm Link]) (B+) - &lt;br /&gt;
* Aime Cranswick at Flickering Myth ([https://www.flickeringmyth.com/2017/09/blu-ray-review-the-ghoul-2016/ link]) - &lt;br /&gt;
* Alexa Dalby at Britflicks ([http://www.britflicks.com/review/606 link]) (3/5 Stars) - &lt;br /&gt;
* Richard Scheib at The Science Fiction, Horror and Fantasy Film Review ([http://moria.co.nz/fantasy/ghoul-2016.htm link]) (3/5 Stars) - &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Synopsis (SPOILERS)==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Should be an objective, unbiased, detailed synopsis of film&amp;#039;s plot and themes.&lt;br /&gt;
The following optional spoiler code apparently works badly on smart phones.) &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{spoiler|&lt;br /&gt;
A man identifying himself as a homicide detective apparently goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur, and it becomes uncertain whether the man really is a detective undercover as a mental patient, or a mental patient pretending to be a detective.  When the man meets another patient suffering the delusion that his doctor&amp;#039;s unorthodox psychological methods are actually a black magic ritual used by aging sorcerers to steal human bodies, and the man&amp;#039;s own therapist transfers her patients to the suspected sorcerer, the entire story descends into a bizarre paranoid haze of delusion, and the viewers are left to their own devices to decide what is truth and what is fantasy.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&lt;br /&gt;
===Comments, Trivia, Dedication===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional; describe anything known or reported by experts about the &lt;br /&gt;
origin of the story or inspiration for elements of it; list dedication, &lt;br /&gt;
trivia, images, anything else of note &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* The film references the Möbius Strip and its three-dimensional equivalent, the Klein Bottle, as psychological models, philosophical constructs, or magical devices, as well as the use of Sigil Magic for wish fulfillment.&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
===Associated Mythos Elements===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of notable Lovecraftian creatures, tomes, Great Old Ones, characters, &lt;br /&gt;
etc. that appear in the film/show/etc.  It helps to specify if it just takes&lt;br /&gt;
the form of general &amp;quot;name-dropping&amp;quot; (someone mentions &amp;quot;Yog-Sothoth!&amp;quot;, but &lt;br /&gt;
Yog-Sothoth doesn&amp;#039;t actually appear; a random creepy tome in the background&lt;br /&gt;
is labeled &amp;#039;&amp;#039;Necronomicon&amp;#039;&amp;#039; but never actually appears, a character is wearing&lt;br /&gt;
a Miskatonic University sweatshirt but the school never makes an appearance...)&lt;br /&gt;
Remove any sections that do not apply.  Note that some unnamed monsters may be&lt;br /&gt;
considered &amp;quot;stand-ins&amp;quot; that are effectively the same as specific Lovecraftian&lt;br /&gt;
monsters, though the film never makes that explicitly clear - for example, a&lt;br /&gt;
standard-issue Gill-Man from &amp;quot;Creature from the Black Lagoon&amp;quot; might be labeled&lt;br /&gt;
a &amp;quot;Deep One&amp;quot; for the purposes of this Wiki, even though any resemblance is&lt;br /&gt;
probably unintentional.  Vaguely/generically &amp;quot;Lovecraftian&amp;quot; elements might &lt;br /&gt;
include [[Human Cultist]]s, [[Tentacle Monster]]s, &amp;#039;&amp;#039;[[Necronomicon Ex-Mortis]]&amp;#039;&amp;#039;,&lt;br /&gt;
and the mysterious outer/astral dimension we might call the [[Other Side]]....)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* race:  [[Witch]]es&lt;br /&gt;
* race:  [[Ghoul]]s (referenced obliquely; the film&amp;#039;s Ghouls are psychological/philosophical in nature, rather than carnal, consuming the intellect of their victims and stealing their bodies)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Keeper Notes===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional.  Notes to Keepers on using this for film for scenario ideas.  &lt;br /&gt;
Heresies and Controversies:  this is also a good place to include non-canon &lt;br /&gt;
and controversial aspects of the film&amp;#039;s mythos.  Suggested Alternative Theories &lt;br /&gt;
include:  Derleth&amp;#039;s elemental scheme; pseudo-science interpretation; &amp;quot;fanon&amp;quot; &lt;br /&gt;
interpretations; unofficial humorous or eccentric versions; identification with &lt;br /&gt;
&amp;quot;Real Life&amp;quot; mythological, religious, folklore, natural, and historical phenomena; &lt;br /&gt;
rumor and speculation contribute some flexibility and ambiguity to the mythos. &lt;br /&gt;
* Alternative_theory.  ([[source]])  &lt;br /&gt;
This section is more commonly used on YSDC Wiki pages for suggesting ways to&lt;br /&gt;
adapt the film to use as a Call of Cthulhu scenario; the Keeper Notes section &lt;br /&gt;
might include multiple such suggested adaptations.&lt;br /&gt;
* (One/two sentence story inspired by the film, starring investigators.)&lt;br /&gt;
TIP:  Film plots are often difficult to adapt into RPG scenarios; try having&lt;br /&gt;
the investigators arrive after the events from the movie have started happening&lt;br /&gt;
or have already happened to NPCs, and leave the investigators to piece together&lt;br /&gt;
the clues to find out what happened.  Adaptations of film plots to RPG scenarios &lt;br /&gt;
almost always benefit from changing cosmetic details around until the exact story&lt;br /&gt;
is no longer easily recognizable, by changing the setting, descriptions of monsters,&lt;br /&gt;
character names, and that sort of thing.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Add any of the following categories that apply to the end of the page; &lt;br /&gt;
the first (DEFAULTSORT) is used to sort the film by something other than &lt;br /&gt;
a leading The/A/An so that it alphabetizes correctly.  A &amp;quot;Short&amp;quot; is &lt;br /&gt;
less than an hour long (perhaps an episode of a TV anthology program, music&lt;br /&gt;
video, or short-subject amateur film); &amp;quot;Film&amp;quot; is a longer feature-length movie&lt;br /&gt;
(longer than an hour), &amp;quot;Series_or_Serial&amp;quot; may include TV programs, serials, &lt;br /&gt;
and mini-series; &amp;quot;Franchise&amp;quot; is a series of Films, perhaps including feature-&lt;br /&gt;
length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{DEFAULTSORT:Ghoul, The}}&lt;br /&gt;
[[Category:Film:General]]&lt;br /&gt;
[[Category:Film:Film]]&lt;br /&gt;
[[Category:Film:SurrealHorror]]&lt;br /&gt;
[[Category:Film:MadnessAndMentalHospitals]]&lt;br /&gt;
[[Category:Film:CultsCultists]]&lt;br /&gt;
[[Category:Film:Witchcraft]]&lt;br /&gt;
[[Category:Film:MindTransferDoppelgangers]]&lt;br /&gt;
[[Category:Film:HospitalLaboratory]]&lt;br /&gt;
[[Category:Film:DownerEnding]]&lt;br /&gt;
[[Category:Film:GothicHorror]]&lt;br /&gt;
[[Category:FIlm:SupernaturalDetective]]&lt;br /&gt;
[[Category:Film:Two-Tentacle Media]]&lt;br /&gt;
&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
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