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	<id>https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Endless_%282017_film%29</id>
	<title>The Endless (2017 film) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Endless_%282017_film%29"/>
	<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;action=history"/>
	<updated>2026-04-25T03:25:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30533&amp;oldid=prev</id>
		<title>Graham: /* Details */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30533&amp;oldid=prev"/>
		<updated>2018-11-24T14:13:21Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Details&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:13, 24 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 34:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Producer/Production Co:&amp;#160; Justin Benson, Snowfort Pictures, Pfaff &amp;amp; Pfaff Productions, Love &amp;amp; Death Productions (LDP)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Producer/Production Co:&amp;#160; Justin Benson, Snowfort Pictures, Pfaff &amp;amp; Pfaff Productions, Love &amp;amp; Death Productions (LDP)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* View Trailer: ([https://www.youtube.com/watch?v=qMHpWCN0byw link])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* View Trailer: ([https://www.youtube.com/watch?v=qMHpWCN0byw link])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* TV Tropes Page: ([https://tvtropes.org/pmwiki/pmwiki.php/Film/TheEndless link])&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* IMDB Page:&amp;#160; ([https://www.imdb.com/title/tt3986820/ link])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* IMDB Page:&amp;#160; ([https://www.imdb.com/title/tt3986820/ link])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30530&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Added another review, and quite a perceptive one at that.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30530&amp;oldid=prev"/>
		<updated>2018-11-24T13:56:25Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Added another review, and quite a perceptive one at that.&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:56, 24 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l86&quot; &gt;Line 86:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 86:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;... What makes the film work is its uncanniness.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* Review by Jodie McNeilly-Renaudie at FilmExploitation ([https://www.filmexplorer.ch/detail/the-endless/ link]) - &amp;quot;It is not fear in the usual horror sense that Benson and Morehead attempt to induce, but is paradoxically the fear of fear alone. The film from beginning to the end not only fascinates with its harmonious storyline, filmic quality and strong performances, it expertly creates in us an experience of unease. We are not scared of &amp;#039;&amp;#039;It&amp;#039;&amp;#039;, nor the probability of seeing death or mutilation, but the fear ... is our coming to understand the possibility that we are never really free. Freedom as an illusion and the true horror of reality.&amp;#160; &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/ins&gt;&amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/ins&gt;... What makes the film work is its uncanniness.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Ian Sedensky at Culture Crypt (80/100) ([http://culturecrypt.com/movie-reviews/the-endless-2017 link]) - &amp;quot;The pair’s M.O. of creating characters who feel like longtime friends from next door and then thrusting them into cerebrally confounding supernatural situations speaks specifically to my interests in Lovecraftian fiction, challenging belief systems, and high concept horror impossibly anchored to some semblance of reality.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Ian Sedensky at Culture Crypt (80/100) ([http://culturecrypt.com/movie-reviews/the-endless-2017 link]) - &amp;quot;The pair’s M.O. of creating characters who feel like longtime friends from next door and then thrusting them into cerebrally confounding supernatural situations speaks specifically to my interests in Lovecraftian fiction, challenging belief systems, and high concept horror impossibly anchored to some semblance of reality.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Matt Zoller Seitz at RogerEbert.com (3.5/4 Stars) ([https://www.rogerebert.com/reviews/the-endless-2018 link]) - &amp;quot;...this is a movie that plays with our perceptions of time, space, and reality, and sketches the outlines of unimaginable terror while leaving the details to our imagination.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Matt Zoller Seitz at RogerEbert.com (3.5/4 Stars) ([https://www.rogerebert.com/reviews/the-endless-2018 link]) - &amp;quot;...this is a movie that plays with our perceptions of time, space, and reality, and sketches the outlines of unimaginable terror while leaving the details to our imagination.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30520&amp;oldid=prev</id>
		<title>Graham: /* Reviews */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30520&amp;oldid=prev"/>
		<updated>2018-11-21T14:15:56Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:15, 21 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l87&quot; &gt;Line 87:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 87:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;... What makes the film work is its uncanniness.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;... What makes the film work is its uncanniness.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Reivew &lt;/del&gt;by Ian Sedensky at Culture Crypt (80/100) ([http://culturecrypt.com/movie-reviews/the-endless-2017 link]) - &amp;quot;The pair’s M.O. of creating characters who feel like longtime friends from next door and then thrusting them into cerebrally confounding supernatural situations speaks specifically to my interests in Lovecraftian fiction, challenging belief systems, and high concept horror impossibly anchored to some semblance of reality.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Review &lt;/ins&gt;by Ian Sedensky at Culture Crypt (80/100) ([http://culturecrypt.com/movie-reviews/the-endless-2017 link]) - &amp;quot;The pair’s M.O. of creating characters who feel like longtime friends from next door and then thrusting them into cerebrally confounding supernatural situations speaks specifically to my interests in Lovecraftian fiction, challenging belief systems, and high concept horror impossibly anchored to some semblance of reality&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* Review by Matt Zoller Seitz at RogerEbert.com (3.5/4 Stars) ([https://www.rogerebert.com/reviews/the-endless-2018 link]) - &amp;quot;...this is a movie that plays with our perceptions of time, space, and reality, and sketches the outlines of unimaginable terror while leaving the details to our imagination&lt;/ins&gt;.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30518&amp;oldid=prev</id>
		<title>Graham: /* Reviews */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30518&amp;oldid=prev"/>
		<updated>2018-11-21T13:55:10Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:55, 21 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l87&quot; &gt;Line 87:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 87:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;... What makes the film work is its uncanniness.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;... What makes the film work is its uncanniness.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Reivew by Ian Sedensky at Culture Crypt (80/100) ([http://culturecrypt.com/movie-reviews/the-endless-2017 link]) - &amp;quot;The pair’s M.O. of creating characters who feel like longtime friends from next door and then thrusting them into cerebrally confounding supernatural situations speaks specifically to my interests in Lovecraftian fiction, challenging belief systems, and high concept horror impossibly anchored to some semblance of reality.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30514&amp;oldid=prev</id>
		<title>Graham: /* Reviews */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=30514&amp;oldid=prev"/>
		<updated>2018-11-21T13:21:04Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:21, 21 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l86&quot; &gt;Line 86:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 86:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Review by Donald Clarke at The Irish Times (4/5 Stars) ([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Review by Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/endless-2017.htm link]) - &amp;quot; On the other hand, it is also a film that leaves even more questions about what is going on in either film than it goes any way towards answering them. If anything, what we have here is more akin to &amp;#039;&amp;#039;[[Yellow Brick Road (2010 film)|YellowBrickRoad (2010)]]&amp;#039;&amp;#039;... What makes the film work is its uncanniness.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28312&amp;oldid=prev</id>
		<title>Graham: /* Reviews */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28312&amp;oldid=prev"/>
		<updated>2018-07-15T10:06:05Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 10:06, 15 July 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l85&quot; &gt;Line 85:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 85:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;review needed&lt;/del&gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Review by Donald Clarke at The Irish Times &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;4/5 Stars&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;([https://www.irishtimes.com/culture/film/the-endless-a-cult-movie-that-could-become-a-cult-movie-1.3545749 link]) - &amp;quot;...&amp;#039;&amp;#039;The Endless&amp;#039;&amp;#039; scatters clues that will come fully together only after several viewings. Yet the film is never frustrating. Its ability to finesse and misdirect set it in a category all by itself.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28227&amp;oldid=prev</id>
		<title>Ywhateley: Added wikilinks.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28227&amp;oldid=prev"/>
		<updated>2018-07-11T20:23:32Z</updated>

		<summary type="html">&lt;p&gt;Added wikilinks.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:23, 11 July 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l30&quot; &gt;Line 30:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Runtime:&amp;#160; 1 hr 51 min&amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Runtime:&amp;#160; 1 hr 51 min&amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Starring:&amp;#160; Callie Hernandez, Justin Benson, Emily Montague&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Starring:&amp;#160; Callie Hernandez, Justin Benson, Emily Montague&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Director:&amp;#160; Justin Benson, Aaron Moorhead&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Director:&amp;#160; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Justin Benson&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Aaron Moorhead&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Writer:&amp;#160;  Justin Benson&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Writer:&amp;#160;  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Justin Benson&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Producer/Production Co:&amp;#160; Justin Benson, Snowfort Pictures, Pfaff &amp;amp; Pfaff Productions, Love &amp;amp; Death Productions (LDP)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Producer/Production Co:&amp;#160; Justin Benson, Snowfort Pictures, Pfaff &amp;amp; Pfaff Productions, Love &amp;amp; Death Productions (LDP)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* View Trailer: ([https://www.youtube.com/watch?v=qMHpWCN0byw link])&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* View Trailer: ([https://www.youtube.com/watch?v=qMHpWCN0byw link])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28224&amp;oldid=prev</id>
		<title>Ywhateley: Added wikilinks.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28224&amp;oldid=prev"/>
		<updated>2018-07-11T20:21:30Z</updated>

		<summary type="html">&lt;p&gt;Added wikilinks.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:21, 11 July 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Two brothers return to the cult they fled from years ago to discover that the group&amp;#039;s beliefs may be more sane than they once thought.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Two brothers return to the cult they fled from years ago to discover that the group&amp;#039;s beliefs may be more sane than they once thought.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A prequel also exists, &amp;#039;&amp;#039;[[Resolution (2012 film)]]&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;[[Spring (2014 film)]]&amp;#039;&amp;#039; may also take place in the same universe.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l160&quot; &gt;Line 160:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 162:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Unsorted&lt;/del&gt;, The}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Endless&lt;/ins&gt;, The}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:General]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:General]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:Film]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:Film]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28220&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Endless_(2017_film)&amp;diff=28220&amp;oldid=prev"/>
		<updated>2018-07-11T20:17:01Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Endless2018.jpg|thumb|200px|right|Promotional image for &amp;#039;&amp;#039;The Endless (2018 film)&amp;#039;&amp;#039;....]]&lt;br /&gt;
&lt;br /&gt;
==Summary==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Short, Spoiler-Free Summary; tag-line or elevator pitch.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Two brothers return to the cult they fled from years ago to discover that the group&amp;#039;s beliefs may be more sane than they once thought.&lt;br /&gt;
&lt;br /&gt;
==Details==&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
This list of details is partly intended for those films produced by&lt;br /&gt;
film-makers, performers, producers/studios, etc. that tend to make&lt;br /&gt;
&amp;quot;Lovecraftian&amp;quot; films, for ease of finding related or similar films.&lt;br /&gt;
This list is also partly intended to make it easier to identify a&lt;br /&gt;
specific film out of many with the same name, to make them easier to&lt;br /&gt;
tell apart - some stories have been adapted numerous times by different&lt;br /&gt;
amateur short film makers!  Some films have a &amp;quot;TVTropes&amp;quot; page, which&lt;br /&gt;
will often detail obscure &amp;quot;Lovecraftian&amp;quot; elements of a film that this&lt;br /&gt;
wiki misses, and, if a TVTropes page exists, it can be a useful&lt;br /&gt;
resource.  Feel free to remove any sections that are irrelevant, &lt;br /&gt;
unknown, or unnecessary.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Release Date:  2018&lt;br /&gt;
* Country/Language:  English&lt;br /&gt;
* Genres/Technical:  Horror, Science Fiction, Fantasy, Mystery&lt;br /&gt;
* Setting:  [[Modern]] [[California]]&lt;br /&gt;
* Runtime:  1 hr 51 min  &lt;br /&gt;
* Starring:  Callie Hernandez, Justin Benson, Emily Montague&lt;br /&gt;
* Director:  Justin Benson, Aaron Moorhead&lt;br /&gt;
* Writer:   Justin Benson&lt;br /&gt;
* Producer/Production Co:  Justin Benson, Snowfort Pictures, Pfaff &amp;amp; Pfaff Productions, Love &amp;amp; Death Productions (LDP)&lt;br /&gt;
* View Trailer: ([https://www.youtube.com/watch?v=qMHpWCN0byw link])&lt;br /&gt;
* IMDB Page:  ([https://www.imdb.com/title/tt3986820/ link])&lt;br /&gt;
&lt;br /&gt;
==Ratings==&lt;br /&gt;
===[http://www.mpaa.org/film-ratings/ MPAA Ratings]===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
I&amp;#039;ve been including this information for those of us who like to watch&lt;br /&gt;
Lovecraft movies with family, including younger children, and want to&lt;br /&gt;
avoid any awkwardness.&lt;br /&gt;
E.G., &amp;quot;Rated: R (Violence, Nudity, Language....)&amp;quot; &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Rated:  (not rated) (some adult content, language, etc.)&lt;br /&gt;
&lt;br /&gt;
===Tentacle Ratings===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Use one of the following lines, and edit it as appropriate.  Follow it with an&lt;br /&gt;
explanation/description of how it qualifies as &amp;quot;Lovecraftian&amp;quot;, such as any&lt;br /&gt;
name-dropping of Lovecraft&amp;#039;s creations, whether it&amp;#039;s based on a Lovecraft story&lt;br /&gt;
and if so which one, whether it&amp;#039;s simply &amp;quot;feels&amp;quot; kind of Lovecraftian, etc.)&lt;br /&gt;
Some examples:  one tentacle only if the mood and atmosphere are right but it&amp;#039;s &lt;br /&gt;
not based on a Lovecraft story and contains no specific Lovecraftian elements even&lt;br /&gt;
in spirit; one tentacle only if it mentions specifically Lovecraftian elements but&lt;br /&gt;
isn&amp;#039;t based on Lovecraft story and doesn&amp;#039;t have the right mood; one tentacle only &lt;br /&gt;
if it has some tentacle monsters but the mood isn&amp;#039;t very Lovecraftian and specific&lt;br /&gt;
Lovecraft creations aren&amp;#039;t mentioned by name; if the film is based on a recognizable&lt;br /&gt;
Lovecraft story it automatically gets two tentacles, and may get a third or more&lt;br /&gt;
depending on if Lovecraftian monsters are present, the mood and atmosphere are&lt;br /&gt;
suitably Lovecraftian in tone, and if the work is particularly accurate and true to&lt;br /&gt;
the spirit of the original story.&lt;br /&gt;
* S____ (One Tentacle:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone, could be a very loose adaptation)&lt;br /&gt;
* SSS__ (Three Tentacles: Lovecraftian, was probably written by Lovecraft himself.)&lt;br /&gt;
* SSSS_ (Four Tentacles: Unusually Lovecraftian; written by Lovecraft, a remarkably faithful adaptation)&lt;br /&gt;
* SSSSS (Five Tentacles: definitively Lovecraftian; everything you&amp;#039;d expect from a Lovecraft adaptation and more)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
A rough [[Tentacle Ratings|measure]] of how &amp;quot;Lovecraftian&amp;quot; the work is:&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone.)&lt;br /&gt;
&lt;br /&gt;
The film portrays a world where mysterious forces capable of altering time and space toy with a collection of victims, including a bizarre UFO cult.  Though not obvious at first, this is a sequel to &amp;#039;&amp;#039;[[Resolution (2012 film)]]&amp;#039;&amp;#039;, or at least a film set in the same fictional universe; like the previous film, &amp;#039;&amp;#039;They Remain&amp;#039;&amp;#039; on one level is about the mysterious experiences of two characters isolated in a strange landscape full of eccentric characters and ominous events, but on a more important level is a sensitive character sketch against a backdrop of the ups and downs of a difficult friendship troubled by a long-running unresolved conflict between the main characters.&lt;br /&gt;
&lt;br /&gt;
The film begins with an epigraph by H.P. Lovecraft (his famous quote about the oldest and strongest emotion, fear of the unknown), and one of the cultist characters name-drops Lovecraft in a snippet of background conversation, referring to something that C.S. Lewis, J.R.R. Tolkein, and H.P. Lovecraft all wrote about, but Lovecraft &amp;quot;perverted&amp;quot;....&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Note:  This rating is not intended as a measure of quality, merely of &lt;br /&gt;
how closely related to Lovecraftian &amp;quot;Weird&amp;quot; fiction the work is.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Reviews===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of reviews for the work, along with the review&amp;#039;s rating (for example, &amp;quot;4/5 Stars&amp;quot;) &lt;br /&gt;
* Author_andor_Location, ([URL link]) - RATING &lt;br /&gt;
* Author_andor_Location, ([URL link]) - RATING&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
Review Links:&lt;br /&gt;
* (review needed)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Synopsis (SPOILERS)==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Should be an objective, unbiased, detailed synopsis of film&amp;#039;s plot and themes.&lt;br /&gt;
The following optional spoiler code apparently works badly on smart phones.) &lt;br /&gt;
{{spoiler|Two brothers return to the cult they fled from years ago to discover that the group&amp;#039;s beliefs may be more sane than they once thought.  The brothers return to the UFO cult they escaped from as children before the reset after receiving a mysterious videotape that the cult claims it never sent, and soon begin experiencing strange alterations of time and space around the compound, including seeing two moons in the sky.  Long-running tension between the brothers, surfacing under the strain of life outside the cult, soon comes to ugly open arguments as the mysteries at the compound intensify, leading at last to the older brother being force to choose between fleeing the compound again before it is too late but leaving the younger brother behind, or staying with his brother and accepting a sinister fate.  The film portrays a world where mysterious forces capable of altering time and space toy with a collection of victims, including the UFO cult, and the characters from the related 2012 film &amp;#039;&amp;#039;Resolution&amp;#039;&amp;#039;, forcing them all to relive the same day over and over, and forcing them to kill themselves at the end of the day to avoid a fate worse than death.  Characters can escape this doom by fleeing before the time loop resets itself the first time, but characters who have a choice may choose to stay for the illusion of eternal life and escape from reality, considering the mandatory daily death to be a small price to pay for the benefits, at least at first.}}&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&lt;br /&gt;
===Comments, Trivia, Dedication===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional; describe anything known or reported by experts about the &lt;br /&gt;
origin of the story or inspiration for elements of it; list dedication, &lt;br /&gt;
trivia, images, anything else of note &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
===Associated Mythos Elements===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of notable Lovecraftian creatures, tomes, Great Old Ones, characters, &lt;br /&gt;
etc. that appear in the film/show/etc.  It helps to specify if it just takes&lt;br /&gt;
the form of general &amp;quot;name-dropping&amp;quot; (someone mentions &amp;quot;Yog-Sothoth!&amp;quot;, but &lt;br /&gt;
Yog-Sothoth doesn&amp;#039;t actually appear; a random creepy tome in the background&lt;br /&gt;
is labeled &amp;#039;&amp;#039;Necronomicon&amp;#039;&amp;#039; but never actually appears, a character is wearing&lt;br /&gt;
a Miskatonic University sweatshirt but the school never makes an appearance...)&lt;br /&gt;
Remove any sections that do not apply.  Note that some unnamed monsters may be&lt;br /&gt;
considered &amp;quot;stand-ins&amp;quot; that are effectively the same as specific Lovecraftian&lt;br /&gt;
monsters, though the film never makes that explicitly clear - for example, a&lt;br /&gt;
standard-issue Gill-Man from &amp;quot;Creature from the Black Lagoon&amp;quot; might be labeled&lt;br /&gt;
a &amp;quot;Deep One&amp;quot; for the purposes of this Wiki, even though any resemblance is&lt;br /&gt;
probably unintentional.  Vaguely/generically &amp;quot;Lovecraftian&amp;quot; elements might &lt;br /&gt;
include [[Human Cultist]]s, [[Tentacle Monster]]s, &amp;#039;&amp;#039;[[Necronomicon Ex-Mortis]]&amp;#039;&amp;#039;,&lt;br /&gt;
and the mysterious outer/astral dimension we might call the [[Other Side]]....)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* location:  an eldritch location including a cult compound&lt;br /&gt;
* race:  [[Human Cultist]]s&lt;br /&gt;
* deity:  [[Elemental]]s (compare to [[Nyarlathotep]])&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Keeper Notes===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional.  Notes to Keepers on using this for film for scenario ideas.  &lt;br /&gt;
Heresies and Controversies:  this is also a good place to include non-canon &lt;br /&gt;
and controversial aspects of the film&amp;#039;s mythos.  Suggested Alternative Theories &lt;br /&gt;
include:  Derleth&amp;#039;s elemental scheme; pseudo-science interpretation; &amp;quot;fanon&amp;quot; &lt;br /&gt;
interpretations; unofficial humorous or eccentric versions; identification with &lt;br /&gt;
&amp;quot;Real Life&amp;quot; mythological, religious, folklore, natural, and historical phenomena; &lt;br /&gt;
rumor and speculation contribute some flexibility and ambiguity to the mythos. &lt;br /&gt;
* Alternative_theory.  ([[source]])  &lt;br /&gt;
This section is more commonly used on YSDC Wiki pages for suggesting ways to&lt;br /&gt;
adapt the film to use as a Call of Cthulhu scenario; the Keeper Notes section &lt;br /&gt;
might include multiple such suggested adaptations.&lt;br /&gt;
* (One/two sentence story inspired by the film, starring investigators.)&lt;br /&gt;
TIP:  Film plots are often difficult to adapt into RPG scenarios; try having&lt;br /&gt;
the investigators arrive after the events from the movie have started happening&lt;br /&gt;
or have already happened to NPCs, and leave the investigators to piece together&lt;br /&gt;
the clues to find out what happened.  Adaptations of film plots to RPG scenarios &lt;br /&gt;
almost always benefit from changing cosmetic details around until the exact story&lt;br /&gt;
is no longer easily recognizable, by changing the setting, descriptions of monsters,&lt;br /&gt;
character names, and that sort of thing.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* There&amp;#039;s not much to work with here for a traditional Call of Cthulhu scenario plot or background: just a couple guys revealing and developing their character while a whole lot of weird, eerie things happen around them, like broken CoC plot hooks that never quite catch the characters (or like the direct opposite of an actual Lovecraft story where the characters are complete ciphers, driven entirely on the winds of the Lovecraftian plot elements that appear, in this story the Lovecraftian elements huff and puff but never really seem to make it very far past character interaction and development); there might be a lesson to be learned in there somewhere about how things can go right in a CoC scenario even when the investigators never take any of the Lovecraftian bait, so long as strong motivations and good role-playing drive character interaction forward with minimal Keeper interruption; there might also be something to be said here for keeping the &amp;quot;Mythos&amp;quot; elements subtle and in the background, while encouraging the main conflicts of the story to play out between player-characters, though this will require some skillful role-players to carry a lot of the scenario&amp;#039;s weight.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Add any of the following categories that apply to the end of the page; &lt;br /&gt;
the first (DEFAULTSORT) is used to sort the film by something other than &lt;br /&gt;
a leading The/A/An so that it alphabetizes correctly.  A &amp;quot;Short&amp;quot; is &lt;br /&gt;
less than an hour long (perhaps an episode of a TV anthology program, music&lt;br /&gt;
video, or short-subject amateur film); &amp;quot;Film&amp;quot; is a longer feature-length movie&lt;br /&gt;
(longer than an hour), &amp;quot;Series_or_Serial&amp;quot; may include TV programs, serials, &lt;br /&gt;
and mini-series; &amp;quot;Franchise&amp;quot; is a series of Films, perhaps including feature-&lt;br /&gt;
length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{DEFAULTSORT:Unsorted, The}}&lt;br /&gt;
[[Category:Film:General]]&lt;br /&gt;
[[Category:Film:Film]]&lt;br /&gt;
[[Category:Film:InNameOnly]]&lt;br /&gt;
[[Category:Film:SurrealHorror]]&lt;br /&gt;
[[Category:Film:Tomes]]&lt;br /&gt;
[[Category:Film:Portals]]&lt;br /&gt;
[[Category:Film:CultsCultists]]&lt;br /&gt;
[[Category:Film:Desert]]&lt;br /&gt;
[[Category:Film:GothicHorror]]&lt;br /&gt;
[[Category:FIlm:SupernaturalDetective]]&lt;br /&gt;
[[Category:Film:ScienceFiction]]&lt;br /&gt;
[[Category:Film:Fantasy]]&lt;br /&gt;
[[Category:Film:Two-Tentacle Media]]&lt;br /&gt;
&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
</feed>