<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Abandoned_%282015_film%29</id>
	<title>The Abandoned (2015 film) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=The_Abandoned_%282015_film%29"/>
	<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;action=history"/>
	<updated>2026-04-28T15:00:40Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.31.0</generator>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=25983&amp;oldid=prev</id>
		<title>Ywhateley: Categorization</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=25983&amp;oldid=prev"/>
		<updated>2017-05-13T15:56:56Z</updated>

		<summary type="html">&lt;p&gt;Categorization&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:56, 13 May 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l166&quot; &gt;Line 166:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 166:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:General]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:General]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:Film]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:Film]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;EldritchLocation&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;SurrealHorror]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Category:Film:MadnessAndMentalHospitals]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Category:Film:GothicHorror&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:One-Tentacle Media]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Film:One-Tentacle Media]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;__NOTOC__&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;__NOTOC__&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24661&amp;oldid=prev</id>
		<title>Ywhateley: Setting added.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24661&amp;oldid=prev"/>
		<updated>2017-03-06T15:46:36Z</updated>

		<summary type="html">&lt;p&gt;Setting added.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:46, 6 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Line 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Country/Language:&amp;#160; US, English&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Country/Language:&amp;#160; US, English&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Genres/Technical:&amp;#160; Horror, Mystery, Thriller, Art/Experimental&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Genres/Technical:&amp;#160; Horror, Mystery, Thriller, Art/Experimental&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Setting:&amp;#160; Urban [[USA]], [[Modern]] ([[2000s]])&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Runtime:&amp;#160; 1 hr 26 min&amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Runtime:&amp;#160; 1 hr 26 min&amp;#160; &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Starring:&amp;#160; Jason Patric, Louisa Krause, Mark Margolis&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Starring:&amp;#160; Jason Patric, Louisa Krause, Mark Margolis&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24646&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Alpha sort of the reviews</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24646&amp;oldid=prev"/>
		<updated>2017-03-06T02:40:31Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Alpha sort of the reviews&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:40, 6 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l83&quot; &gt;Line 83:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 83:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; (AKA &amp;#039;&amp;#039;The Abandoned&amp;#039;&amp;#039;) is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; (AKA &amp;#039;&amp;#039;The Abandoned&amp;#039;&amp;#039;) is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Elliott Maguire at UK Horror Scene ([http://www.ukhorrorscene.com/the-abandoned-aka-the-confines-2015-review/ link]) - &amp;quot;Other problems come with the scares themselves. &amp;#039;&amp;#039;The Abandoned&amp;#039;&amp;#039; is PACKED with jump scares, and while they do get the desired effect, they aren’t fully earned, working due to a deafening musical cue....&amp;#160; Other cliches present are the creepy drawings by creepy children, and a backstory to the building that is a little overused in both TV and film recently. Add to this a final twist that is either well-conceived or insultingly overused depending on your genre experience, and we have a real mixed bag. 7/10&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Elliott Maguire at UK Horror Scene ([http://www.ukhorrorscene.com/the-abandoned-aka-the-confines-2015-review/ link]) - &amp;quot;Other problems come with the scares themselves. &amp;#039;&amp;#039;The Abandoned&amp;#039;&amp;#039; is PACKED with jump scares, and while they do get the desired effect, they aren’t fully earned, working due to a deafening musical cue....&amp;#160; Other cliches present are the creepy drawings by creepy children, and a backstory to the building that is a little overused in both TV and film recently. Add to this a final twist that is either well-conceived or insultingly overused depending on your genre experience, and we have a real mixed bag. 7/10&amp;quot;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24619&amp;oldid=prev</id>
		<title>Ywhateley: Additional details.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24619&amp;oldid=prev"/>
		<updated>2017-03-05T23:55:57Z</updated>

		<summary type="html">&lt;p&gt;Additional details.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:55, 5 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l82&quot; &gt;Line 82:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 82:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(AKA &amp;#039;&amp;#039;The Abandoned&amp;#039;&amp;#039;) &lt;/ins&gt;is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elliott Maguire at UK Horror Scene ([http://www.ukhorrorscene.com/the-abandoned-aka-the-confines-2015-review/ link]) - &amp;quot;Other problems come with the scares themselves. The Abandoned is PACKED with jump scares, and while they do get the desired effect, they aren’t fully earned, working due to a deafening musical cue....&amp;#160; Other cliches present are the creepy drawings by creepy children, and a backstory to the building that is a little overused in both TV and film recently. Add to this a final twist that is either well-conceived or insultingly overused depending on your genre experience, and we have a real mixed bag. 7/10&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elliott Maguire at UK Horror Scene ([http://www.ukhorrorscene.com/the-abandoned-aka-the-confines-2015-review/ link]) - &amp;quot;Other problems come with the scares themselves. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;The Abandoned&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;is PACKED with jump scares, and while they do get the desired effect, they aren’t fully earned, working due to a deafening musical cue....&amp;#160; Other cliches present are the creepy drawings by creepy children, and a backstory to the building that is a little overused in both TV and film recently. Add to this a final twist that is either well-conceived or insultingly overused depending on your genre experience, and we have a real mixed bag. 7/10&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24618&amp;oldid=prev</id>
		<title>Ywhateley: Additional details.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24618&amp;oldid=prev"/>
		<updated>2017-03-05T23:54:54Z</updated>

		<summary type="html">&lt;p&gt;Additional details.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:54, 5 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l126&quot; &gt;Line 126:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 126:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* deity:&amp;#160; [[Deity]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* deity:&amp;#160; [[Deity]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;TO DO&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;race:&amp;#160; Ghosts (deformed, mutant ghosts....)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24617&amp;oldid=prev</id>
		<title>Ywhateley: Additional details.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24617&amp;oldid=prev"/>
		<updated>2017-03-05T23:53:24Z</updated>

		<summary type="html">&lt;p&gt;Additional details.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:53, 5 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot; &gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* S____ (One Tentacle:&amp;#160; Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* S____ (One Tentacle:&amp;#160; Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not exactly a &amp;quot;Lovecraftian&amp;quot; film in the sense of being based on any of Lovecraft&amp;#039;s work or containing references to his creations, though some viewers may find the location and atmosphere suggestive of Lovecraft&amp;#039;s work (an &amp;quot;Eldritch Location&amp;quot; film). The nasty secrets buried away in the building&amp;#039;s vast locked basement were a nice, nightmarish touch, vaguely reminiscent of the sort of thing that might be uncovered in &amp;quot;The Rats in the Walls&amp;quot; or &amp;quot;The Lurking Fear&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not exactly a &amp;quot;Lovecraftian&amp;quot; film in the sense of being based on any of Lovecraft&amp;#039;s work or containing references to his creations, though some viewers may find the location and atmosphere suggestive of Lovecraft&amp;#039;s work (an &amp;quot;Eldritch Location&amp;quot; film). The nasty secrets buried away in the building&amp;#039;s vast locked basement were a nice, nightmarish touch, vaguely reminiscent of the sort of thing that might be uncovered in &amp;quot;The Rats in the Walls&amp;quot; or &amp;quot;The Lurking Fear&amp;quot; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;- they don&amp;#039;t really make much sense under close examination, but it seems that few of the best nightmares make sense, either&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Note:&amp;#160; This rating is not intended as a measure of quality, merely of &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Note:&amp;#160; This rating is not intended as a measure of quality, merely of &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l151&quot; &gt;Line 151:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 151:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;character names, and that sort of thing.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;character names, and that sort of thing.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* The investigators are called in to help when the inexperienced new security staff for a huge abandoned building complex disappear overnight... the list of clues to their disappearance point to the open door of a long-forgotten and previously locked-up basement....&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!--&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!--&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24616&amp;oldid=prev</id>
		<title>Ywhateley: Additional details.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24616&amp;oldid=prev"/>
		<updated>2017-03-05T23:47:47Z</updated>

		<summary type="html">&lt;p&gt;Additional details.&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 23:47, 5 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l70&quot; &gt;Line 70:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 70:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* S____ (One Tentacle:&amp;#160; Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* S____ (One Tentacle:&amp;#160; Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not exactly a &amp;quot;Lovecraftian&amp;quot; film in the sense of being based on any of Lovecraft&amp;#039;s work or containing references to his creations, though some viewers may find the location and atmosphere suggestive of Lovecraft&amp;#039;s work (an &amp;quot;Eldritch Location&amp;quot; film). &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not exactly a &amp;quot;Lovecraftian&amp;quot; film in the sense of being based on any of Lovecraft&amp;#039;s work or containing references to his creations, though some viewers may find the location and atmosphere suggestive of Lovecraft&amp;#039;s work (an &amp;quot;Eldritch Location&amp;quot; film)&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. The nasty secrets buried away in the building&amp;#039;s vast locked basement were a nice, nightmarish touch, vaguely reminiscent of the sort of thing that might be uncovered in &amp;quot;The Rats in the Walls&amp;quot; or &amp;quot;The Lurking Fear&amp;quot;&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Note:&amp;#160; This rating is not intended as a measure of quality, merely of &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Note:&amp;#160; This rating is not intended as a measure of quality, merely of &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot; &gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Elliott Maguire at UK Horror Scene ([http://www.ukhorrorscene.com/the-abandoned-aka-the-confines-2015-review/ link]) - &amp;quot;Other problems come with the scares themselves. The Abandoned is PACKED with jump scares, and while they do get the desired effect, they aren’t fully earned, working due to a deafening musical cue....&amp;#160; Other cliches present are the creepy drawings by creepy children, and a backstory to the building that is a little overused in both TV and film recently. Add to this a final twist that is either well-conceived or insultingly overused depending on your genre experience, and we have a real mixed bag. 7/10&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24615&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Added Richard Scheib&#039;s Review</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24615&amp;oldid=prev"/>
		<updated>2017-03-05T13:29:47Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Added Richard Scheib&amp;#039;s Review&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:29, 5 March 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l83&quot; &gt;Line 83:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 83:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (3/5 Stars) ([http://moria.co.nz/horror/abandoned-2015-confines.htm link]) - &amp;quot;The film has an amazing setting – of a massively haunted building that looks like something constructed in the 19th Century, filled with cavernous halls, empty ballrooms, huge arched foyers that are multiple stories tall. ... It is these locations that make the film... One of the best aspects of the film is the characterisation. ...&amp;#160; On one hand is Louisa Krause, a troubled youth on her last chance not to screw up. Placed up against her is Jason Patric as the middle-aging security guard whose bored cynical attitude to the job takes you aback. The contrast between his embittered cynicism and her naivete when they are introduced is striking... All of that said, the film goes and shoots itself in the foot when it comes to the ending.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24609&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=The_Abandoned_(2015_film)&amp;diff=24609&amp;oldid=prev"/>
		<updated>2017-03-05T01:32:53Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File:Abandoned 2015film.png|thumb|200px|right|Scene from &amp;#039;&amp;#039;The Abandoned (2015 film)&amp;#039;&amp;#039;...]]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;The Abandoned&amp;#039;&amp;#039; (2015), AKA &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Confined&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
==Summary==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Short, Spoiler-Free Summary; tag-line or elevator pitch.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Where hope goes to die.&amp;quot;  An unstable woman discovers a horrifying presence in the bowels of a decaying building where she works as a security guard.&lt;br /&gt;
&lt;br /&gt;
==Details==&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
This list of details is partly intended for those films produced by&lt;br /&gt;
film-makers, performers, producers/studios, etc. that tend to make&lt;br /&gt;
&amp;quot;Lovecraftian&amp;quot; films, for ease of finding related or similar films.&lt;br /&gt;
This list is also partly intended to make it easier to identify a&lt;br /&gt;
specific film out of many with the same name, to make them easier to&lt;br /&gt;
tell apart - some stories have been adapted numerous times by different&lt;br /&gt;
amateur short film makers!  Some films have a &amp;quot;TVTropes&amp;quot; page, which&lt;br /&gt;
will often detail obscure &amp;quot;Lovecraftian&amp;quot; elements of a film that this&lt;br /&gt;
wiki misses, and, if a TVTropes page exists, it can be a useful&lt;br /&gt;
resource.  Feel free to remove any sections that are irrelevant, &lt;br /&gt;
unknown, or unnecessary.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Release Date:  2015&lt;br /&gt;
* Country/Language:  US, English&lt;br /&gt;
* Genres/Technical:  Horror, Mystery, Thriller, Art/Experimental&lt;br /&gt;
* Runtime:  1 hr 26 min  &lt;br /&gt;
* Starring:  Jason Patric, Louisa Krause, Mark Margolis&lt;br /&gt;
* Director:  Eytan Rockaway&lt;br /&gt;
* Writer:  Ido Fluk&lt;br /&gt;
* Producer/Production Co:  C Plus Pictures&lt;br /&gt;
* View Trailer: ([https://www.youtube.com/watch?v=NU1LALt4tvM link])&lt;br /&gt;
* IMDB Page:  ([http://www.imdb.com/title/tt3311988/ link])&lt;br /&gt;
&lt;br /&gt;
==Ratings==&lt;br /&gt;
===[http://www.mpaa.org/film-ratings/ MPAA Ratings]===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
I&amp;#039;ve been including this information for those of us who like to watch&lt;br /&gt;
Lovecraft movies with family, including younger children, and want to&lt;br /&gt;
avoid any awkwardness.&lt;br /&gt;
E.G., &amp;quot;Rated: R (Violence, Nudity, Language....)&amp;quot; &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Rated:  (not rated) (perhaps equivalent to a PG-13 for Violence, Adult Content, Profanity)&lt;br /&gt;
&lt;br /&gt;
===Tentacle Ratings===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Use one of the following lines, and edit it as appropriate.  Follow it with an&lt;br /&gt;
explanation/description of how it qualifies as &amp;quot;Lovecraftian&amp;quot;, such as any&lt;br /&gt;
name-dropping of Lovecraft&amp;#039;s creations, whether it&amp;#039;s based on a Lovecraft story&lt;br /&gt;
and if so which one, whether it&amp;#039;s simply &amp;quot;feels&amp;quot; kind of Lovecraftian, etc.)&lt;br /&gt;
Some examples:  one tentacle only if the mood and atmosphere are right but it&amp;#039;s &lt;br /&gt;
not based on a Lovecraft story and contains no specific Lovecraftian elements even&lt;br /&gt;
in spirit; one tentacle only if it mentions specifically Lovecraftian elements but&lt;br /&gt;
isn&amp;#039;t based on Lovecraft story and doesn&amp;#039;t have the right mood; one tentacle only &lt;br /&gt;
if it has some tentacle monsters but the mood isn&amp;#039;t very Lovecraftian and specific&lt;br /&gt;
Lovecraft creations aren&amp;#039;t mentioned by name; if the film is based on a recognizable&lt;br /&gt;
Lovecraft story it automatically gets two tentacles, and may get a third or more&lt;br /&gt;
depending on if Lovecraftian monsters are present, the mood and atmosphere are&lt;br /&gt;
suitably Lovecraftian in tone, and if the work is particularly accurate and true to&lt;br /&gt;
the spirit of the original story.&lt;br /&gt;
* S____ (One Tentacle:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone, could be a very loose adaptation)&lt;br /&gt;
* SSS__ (Three Tentacles: Lovecraftian, was probably written by Lovecraft himself.)&lt;br /&gt;
* SSSS_ (Four Tentacles: Unusually Lovecraftian; written by Lovecraft, a remarkably faithful adaptation)&lt;br /&gt;
* SSSSS (Five Tentacles: definitively Lovecraftian; everything you&amp;#039;d expect from a Lovecraft adaptation and more)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
A rough [[Tentacle Ratings|measure]] of how &amp;quot;Lovecraftian&amp;quot; the work is:&lt;br /&gt;
* S____ (One Tentacle:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
&lt;br /&gt;
Not exactly a &amp;quot;Lovecraftian&amp;quot; film in the sense of being based on any of Lovecraft&amp;#039;s work or containing references to his creations, though some viewers may find the location and atmosphere suggestive of Lovecraft&amp;#039;s work (an &amp;quot;Eldritch Location&amp;quot; film). &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Note:  This rating is not intended as a measure of quality, merely of &lt;br /&gt;
how closely related to Lovecraftian &amp;quot;Weird&amp;quot; fiction the work is.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Reviews===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of reviews for the work, along with the review&amp;#039;s rating (for example, &amp;quot;4/5 Stars&amp;quot;) &lt;br /&gt;
* Author_andor_Location, ([URL link]) - RATING &lt;br /&gt;
* (review needed)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
Review Links:&lt;br /&gt;
* Horror News dotnet, ([http://horrornews.net/100206/film-review-the-abandoned-2015/ link]) - &amp;quot;The film itself looks nothing short of fantastic, the cinematography is both sleek and fluid almost gliding over surfaces of foreboding darkness to reveal only enough to the viewer to suggest something intense constantly lurking out the corners.... &amp;#039;&amp;#039;The Confines&amp;#039;&amp;#039; is not only one of the creepiest films I have seen in recent years it is also one of the best films I have seen in 2015.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Synopsis (SPOILERS)==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Should be an objective, unbiased, detailed synopsis of film&amp;#039;s plot and themes.&lt;br /&gt;
The following optional spoiler code apparently works badly on smart phones.) &lt;br /&gt;
{{spoiler|plot}}&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&lt;br /&gt;
===Comments, Trivia, Dedication===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional; describe anything known or reported by experts about the &lt;br /&gt;
origin of the story or inspiration for elements of it; list dedication, &lt;br /&gt;
trivia, images, anything else of note &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
===Associated Mythos Elements===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of notable Lovecraftian creatures, tomes, Great Old Ones, characters, &lt;br /&gt;
etc. that appear in the film/show/etc.  It helps to specify if it just takes&lt;br /&gt;
the form of general &amp;quot;name-dropping&amp;quot; (someone mentions &amp;quot;Yog-Sothoth!&amp;quot;, but &lt;br /&gt;
Yog-Sothoth doesn&amp;#039;t actually appear; a random creepy tome in the background&lt;br /&gt;
is labeled &amp;#039;&amp;#039;Necronomicon&amp;#039;&amp;#039; but never actually appears, a character is wearing&lt;br /&gt;
a Miskatonic University sweatshirt but the school never makes an appearance...)&lt;br /&gt;
Remove any sections that do not apply.  Note that some unnamed monsters may be&lt;br /&gt;
considered &amp;quot;stand-ins&amp;quot; that are effectively the same as specific Lovecraftian&lt;br /&gt;
monsters, though the film never makes that explicitly clear - for example, a&lt;br /&gt;
standard-issue Gill-Man from &amp;quot;Creature from the Black Lagoon&amp;quot; might be labeled&lt;br /&gt;
a &amp;quot;Deep One&amp;quot; for the purposes of this Wiki, even though any resemblance is&lt;br /&gt;
probably unintentional.  Vaguely/generically &amp;quot;Lovecraftian&amp;quot; elements might &lt;br /&gt;
include [[Human Cultist]]s, [[Tentacle Monster]]s, &amp;#039;&amp;#039;[[Necronomicon Ex-Mortis]]&amp;#039;&amp;#039;,&lt;br /&gt;
and the mysterious outer/astral dimension we might call the [[Other Side]]....)&lt;br /&gt;
* fiction:  &amp;quot;[[title (fiction)]]&amp;quot; or &amp;#039;&amp;#039;[[title (fiction)]]&amp;#039;&amp;#039;&lt;br /&gt;
* tome:  &amp;#039;&amp;#039;[[Tome1]]&amp;#039;&amp;#039;&lt;br /&gt;
* race:  [[Race1]]&lt;br /&gt;
* deity:  [[Deity]]&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* TO DO&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Keeper Notes===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional.  Notes to Keepers on using this for film for scenario ideas.  &lt;br /&gt;
Heresies and Controversies:  this is also a good place to include non-canon &lt;br /&gt;
and controversial aspects of the film&amp;#039;s mythos.  Suggested Alternative Theories &lt;br /&gt;
include:  Derleth&amp;#039;s elemental scheme; pseudo-science interpretation; &amp;quot;fanon&amp;quot; &lt;br /&gt;
interpretations; unofficial humorous or eccentric versions; identification with &lt;br /&gt;
&amp;quot;Real Life&amp;quot; mythological, religious, folklore, natural, and historical phenomena; &lt;br /&gt;
rumor and speculation contribute some flexibility and ambiguity to the mythos. &lt;br /&gt;
* Alternative_theory.  ([[source]])  &lt;br /&gt;
This section is more commonly used on YSDC Wiki pages for suggesting ways to&lt;br /&gt;
adapt the film to use as a Call of Cthulhu scenario; the Keeper Notes section &lt;br /&gt;
might include multiple such suggested adaptations.&lt;br /&gt;
* (One/two sentence story inspired by the film, starring investigators.)&lt;br /&gt;
TIP:  Film plots are often difficult to adapt into RPG scenarios; try having&lt;br /&gt;
the investigators arrive after the events from the movie have started happening&lt;br /&gt;
or have already happened to NPCs, and leave the investigators to piece together&lt;br /&gt;
the clues to find out what happened.  Adaptations of film plots to RPG scenarios &lt;br /&gt;
almost always benefit from changing cosmetic details around until the exact story&lt;br /&gt;
is no longer easily recognizable, by changing the setting, descriptions of monsters,&lt;br /&gt;
character names, and that sort of thing.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Add any of the following categories that apply to the end of the page; &lt;br /&gt;
the first (DEFAULTSORT) is used to sort the film by something other than &lt;br /&gt;
a leading The/A/An so that it alphabetizes correctly.  A &amp;quot;Short&amp;quot; is &lt;br /&gt;
less than an hour long (perhaps an episode of a TV anthology program, music&lt;br /&gt;
video, or short-subject amateur film); &amp;quot;Film&amp;quot; is a longer feature-length movie&lt;br /&gt;
(longer than an hour), &amp;quot;Series_or_Serial&amp;quot; may include TV programs, serials, &lt;br /&gt;
and mini-series; &amp;quot;Franchise&amp;quot; is a series of Films, perhaps including feature-&lt;br /&gt;
length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{DEFAULTSORT:Abandoned, The}}&lt;br /&gt;
[[Category:Film:General]]&lt;br /&gt;
[[Category:Film:Film]]&lt;br /&gt;
[[Category:Film:EldritchLocation]]&lt;br /&gt;
[[Category:Film:One-Tentacle Media]]&lt;br /&gt;
&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
</feed>