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	<id>https://yogwiki.cthulhueternal.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Requiem_%282018_series%29</id>
	<title>Requiem (2018 series) - Revision history</title>
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	<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;action=history"/>
	<updated>2026-04-25T06:28:57Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=31517&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Added a new review and fixed an issue with one review link.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=31517&amp;oldid=prev"/>
		<updated>2019-07-29T05:49:04Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Added a new review and fixed an issue with one review link.&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:49, 29 July 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l85&quot; &gt;Line 85:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 85:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eric Cotenas at DVD Beaver ([http://www.dvdbeaver.com/film6/dvd_reviews_67/requiem_dvd.htm link]) - &amp;quot;Not so much Hammer-esque as another stab at British folk horror along the lines of THE WICKER MAN and the more recent resurgence like &amp;#039;&amp;#039;Wake Wood&amp;#039;&amp;#039; and &amp;#039;&amp;#039;A Field in England&amp;#039;&amp;#039;; however, this dreary and drawn-out attempt throws in every cliche it can and builds up to a rushed and disappointing finish after six hours of eerie voices, billowing curtains, flashes of nightmare images, and our heroine stumbling around looking progressively paler and sicker...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eric Cotenas at DVD Beaver ([http://www.dvdbeaver.com/film6/dvd_reviews_67/requiem_dvd.htm link]) - &amp;quot;Not so much Hammer-esque as another stab at British folk horror along the lines of THE WICKER MAN and the more recent resurgence like &amp;#039;&amp;#039;Wake Wood&amp;#039;&amp;#039; and &amp;#039;&amp;#039;A Field in England&amp;#039;&amp;#039;; however, this dreary and drawn-out attempt throws in every cliche it can and builds up to a rushed and disappointing finish after six hours of eerie voices, billowing curtains, flashes of nightmare images, and our heroine stumbling around looking progressively paler and sicker...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sue Millinocket at Movie Rewind (2/5 Stars) ([https://movierewind.com/2018/requiem/ link]) - &amp;quot;&amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039; does a number of things right. It gets rolling quickly – we know there was something unnatural about those suicides – and the pace is pretty steady through the six episodes. Matilda at first is quite sympathetic, grieving and finding herself adrift without a family, and with increasing episodes of lost time and other strangeness. Also, Hal. He’s wonderful and helpful and it is his character that drives quite a bit of the narrative in the first few episodes. The setting is also wonderful – lovely but creepy, exactly as it should be. And it is really scary in places – a few jump scares, but mostly delicious atmospheric creepiness. However, Requiem also sadly falls short in some key areas. As the plot thickens, Matilda becomes less likeable. Her relentless drive to find her truth is hurting people and she’s fine with that... he peripheral characters ... all start out as interesting and we want to know more about them. ...vaguely involved in Matilda’s mystery in one or more ways, but we don’t really ever learn how or why. And that, my binge loving friends, is really frustrating. That is the crux of what I didn’t like about &amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039;. It’s more of a sketch than a drawing – filled with holes and glossed over plot lines. It’s definitely interesting and creepy, but as we approach the end, we realize that there is more atmosphere than substance to this story.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sue Millinocket at Movie Rewind (2/5 Stars) ([https://movierewind.com/2018/requiem/ link]) - &amp;quot;&amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039; does a number of things right. It gets rolling quickly – we know there was something unnatural about those suicides – and the pace is pretty steady through the six episodes. Matilda at first is quite sympathetic, grieving and finding herself adrift without a family, and with increasing episodes of lost time and other strangeness. Also, Hal. He’s wonderful and helpful and it is his character that drives quite a bit of the narrative in the first few episodes. The setting is also wonderful – lovely but creepy, exactly as it should be. And it is really scary in places – a few jump scares, but mostly delicious atmospheric creepiness. However, Requiem also sadly falls short in some key areas. As the plot thickens, Matilda becomes less likeable. Her relentless drive to find her truth is hurting people and she’s fine with that... he peripheral characters ... all start out as interesting and we want to know more about them. ...vaguely involved in Matilda’s mystery in one or more ways, but we don’t really ever learn how or why. And that, my binge loving friends, is really frustrating. That is the crux of what I didn’t like about &amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039;. It’s more of a sketch than a drawing – filled with holes and glossed over plot lines. It’s definitely interesting and creepy, but as we approach the end, we realize that there is more atmosphere than substance to this story.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Ian Smith at Ghostof82 ([ link]) - &amp;quot;Subtlety is not this shows finest asset. Something I’ve criticised modern television of before, and to which I attribute Game of Thrones as the chief blame. In a need to grab viewers attention modern television feels that it has to shock and throw everything but the kitchen sink into shows now. Its not that Requiem is bad, its quite enjoyable really, but why so much has to be hurled into its six episodes is hard to fathom. ... ts all very lightweight and lacking in any emotional depth or impact that perhaps a similar show from the BBC in the ‘seventies might have had.&amp;#160; Frustrating really.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* Richard Scheib at The Science Fiction, Horror and Fantasy Film Review (3.5/5 Stars) ([http://www.moriareviews.com/horror/requiem-2018.htm link]) - &amp;quot;&amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039; is more of a smalltown mystery than it is a horror show, even though it has definitely pushes over into genre territory by about Episode 4. Mahalia Belo provides a series of eerie presentiments – it is often a ghost story that hovers almost beyond one’s fingertips but not quite. The script eventually segues into the oft-used occult conspiracy theme.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Ian Smith at Ghostof82 ([&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https://ghostof82.wordpress.com/2018/03/25/requiem-2018/ &lt;/ins&gt;link]) - &amp;quot;Subtlety is not this shows finest asset. Something I’ve criticised modern television of before, and to which I attribute Game of Thrones as the chief blame. In a need to grab viewers attention modern television feels that it has to shock and throw everything but the kitchen sink into shows now. Its not that Requiem is bad, its quite enjoyable really, but why so much has to be hurled into its six episodes is hard to fathom. ... ts all very lightweight and lacking in any emotional depth or impact that perhaps a similar show from the BBC in the ‘seventies might have had.&amp;#160; Frustrating really.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=31433&amp;oldid=prev</id>
		<title>Graham: /* Reviews */</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=31433&amp;oldid=prev"/>
		<updated>2019-05-05T02:31:58Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:31, 5 May 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot; &gt;Line 84:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 84:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eric Cotenas at DVD Beaver ([http://www.dvdbeaver.com/film6/dvd_reviews_67/requiem_dvd.htm link]) - &amp;quot;Not so much Hammer-esque as another stab at British folk horror along the lines of THE WICKER MAN and the more recent resurgence like &amp;#039;&amp;#039;Wake Wood&amp;#039;&amp;#039; and &amp;#039;&amp;#039;A Field in England&amp;#039;&amp;#039;; however, this dreary and drawn-out attempt throws in every cliche it can and builds up to a rushed and disappointing finish after six hours of eerie voices, billowing curtains, flashes of nightmare images, and our heroine stumbling around looking progressively paler and sicker...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eric Cotenas at DVD Beaver ([http://www.dvdbeaver.com/film6/dvd_reviews_67/requiem_dvd.htm link]) - &amp;quot;Not so much Hammer-esque as another stab at British folk horror along the lines of THE WICKER MAN and the more recent resurgence like &amp;#039;&amp;#039;Wake Wood&amp;#039;&amp;#039; and &amp;#039;&amp;#039;A Field in England&amp;#039;&amp;#039;; however, this dreary and drawn-out attempt throws in every cliche it can and builds up to a rushed and disappointing finish after six hours of eerie voices, billowing curtains, flashes of nightmare images, and our heroine stumbling around looking progressively paler and sicker...&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sue Millinocket at Movie Rewind (2/5 Stars) ([ link]) - &amp;quot;&amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039; does a number of things right. It gets rolling quickly – we know there was something unnatural about those suicides – and the pace is pretty steady through the six episodes. Matilda at first is quite sympathetic, grieving and finding herself adrift without a family, and with increasing episodes of lost time and other strangeness. Also, Hal. He’s wonderful and helpful and it is his character that drives quite a bit of the narrative in the first few episodes. The setting is also wonderful – lovely but creepy, exactly as it should be. And it is really scary in places – a few jump scares, but mostly delicious atmospheric creepiness.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sue Millinocket at Movie Rewind (2/5 Stars) ([&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https://movierewind.com/2018/requiem/ &lt;/ins&gt;link]) - &amp;quot;&amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039; does a number of things right. It gets rolling quickly – we know there was something unnatural about those suicides – and the pace is pretty steady through the six episodes. Matilda at first is quite sympathetic, grieving and finding herself adrift without a family, and with increasing episodes of lost time and other strangeness. Also, Hal. He’s wonderful and helpful and it is his character that drives quite a bit of the narrative in the first few episodes. The setting is also wonderful – lovely but creepy, exactly as it should be. And it is really scary in places – a few jump scares, but mostly delicious atmospheric creepiness. However, Requiem also sadly falls short in some key areas. As the plot thickens, Matilda becomes less likeable. Her relentless drive to find her truth is hurting people and she’s fine with that... he peripheral characters ... all start out as interesting and we want to know more about them. ...vaguely involved in Matilda’s mystery in one or more ways, but we don’t really ever learn how or why. And that, my binge loving friends, is really frustrating. That is the crux of what I didn’t like about &amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039;. It’s more of a sketch than a drawing – filled with holes and glossed over plot lines. It’s definitely interesting and creepy, but as we approach the end, we realize that there is more atmosphere than substance to this story.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However, Requiem also sadly falls short in some key areas. As the plot thickens, Matilda becomes less likeable. Her relentless drive to find her truth is hurting people and she’s fine with that... he peripheral characters ... all start out as interesting and we want to know more about them. ...vaguely involved in Matilda’s mystery in one or more ways, but we don’t really ever learn how or why. And that, my binge loving friends, is really frustrating.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;That is the crux of what I didn’t like about &amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039;. It’s more of a sketch than a drawing – filled with holes and glossed over plot lines. It’s definitely interesting and creepy, but as we approach the end, we realize that there is more atmosphere than substance to this story.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Ian Smith at Ghostof82 ([ link]) - &amp;quot;Subtlety is not this shows finest asset. Something I’ve criticised modern television of before, and to which I attribute Game of Thrones as the chief blame. In a need to grab viewers attention modern television feels that it has to shock and throw everything but the kitchen sink into shows now. Its not that Requiem is bad, its quite enjoyable really, but why so much has to be hurled into its six episodes is hard to fathom. ... ts all very lightweight and lacking in any emotional depth or impact that perhaps a similar show from the BBC in the ‘seventies might have had.&amp;#160; Frustrating really.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Ian Smith at Ghostof82 ([ link]) - &amp;quot;Subtlety is not this shows finest asset. Something I’ve criticised modern television of before, and to which I attribute Game of Thrones as the chief blame. In a need to grab viewers attention modern television feels that it has to shock and throw everything but the kitchen sink into shows now. Its not that Requiem is bad, its quite enjoyable really, but why so much has to be hurled into its six episodes is hard to fathom. ... ts all very lightweight and lacking in any emotional depth or impact that perhaps a similar show from the BBC in the ‘seventies might have had.&amp;#160; Frustrating really.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=31432&amp;oldid=prev</id>
		<title>Graham: /* Reviews */ Added some reviews</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=31432&amp;oldid=prev"/>
		<updated>2019-05-05T02:30:34Z</updated>

		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Reviews: &lt;/span&gt; Added some reviews&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 02:30, 5 May 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l83&quot; &gt;Line 83:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 83:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Review Links:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;review needed&lt;/del&gt;)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Eric Cotenas at DVD Beaver &lt;/ins&gt;(&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[http://www.dvdbeaver.com/film6/dvd_reviews_67/requiem_dvd.htm link]&lt;/ins&gt;) &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;- &amp;quot;Not so much Hammer-esque as another stab at British folk horror along the lines of THE WICKER MAN and the more recent resurgence like &amp;#039;&amp;#039;Wake Wood&amp;#039;&amp;#039; and &amp;#039;&amp;#039;A Field in England&amp;#039;&amp;#039;; however, this dreary and drawn-out attempt throws in every cliche it can and builds up to a rushed and disappointing finish after six hours of eerie voices, billowing curtains, flashes of nightmare images, and our heroine stumbling around looking progressively paler and sicker...&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* Sue Millinocket at Movie Rewind (2/5 Stars) ([ link]) - &amp;quot;&amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039; does a number of things right. It gets rolling quickly – we know there was something unnatural about those suicides – and the pace is pretty steady through the six episodes. Matilda at first is quite sympathetic, grieving and finding herself adrift without a family, and with increasing episodes of lost time and other strangeness. Also, Hal. He’s wonderful and helpful and it is his character that drives quite a bit of the narrative in the first few episodes. The setting is also wonderful – lovely but creepy, exactly as it should be. And it is really scary in places – a few jump scares, but mostly delicious atmospheric creepiness.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;However, Requiem also sadly falls short in some key areas. As the plot thickens, Matilda becomes less likeable. Her relentless drive to find her truth is hurting people and she’s fine with that... he peripheral characters ... all start out as interesting and we want to know more about them. ...vaguely involved in Matilda’s mystery in one or more ways, but we don’t really ever learn how or why. And that, my binge loving friends, is really frustrating.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;That is the crux of what I didn’t like about &amp;#039;&amp;#039;Requiem&amp;#039;&amp;#039;. It’s more of a sketch than a drawing – filled with holes and glossed over plot lines. It’s definitely interesting and creepy, but as we approach the end, we realize that there is more atmosphere than substance to this story.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* Ian Smith at Ghostof82 ([ link]) - &amp;quot;Subtlety is not this shows finest asset. Something I’ve criticised modern television of before, and to which I attribute Game of Thrones as the chief blame. In a need to grab viewers attention modern television feels that it has to shock and throw everything but the kitchen sink into shows now. Its not that Requiem is bad, its quite enjoyable really, but why so much has to be hurled into its six episodes is hard to fathom. ... ts all very lightweight and lacking in any emotional depth or impact that perhaps a similar show from the BBC in the ‘seventies might have had.&amp;#160; Frustrating really.&amp;quot;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis (SPOILERS)==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Graham</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=30242&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=30242&amp;oldid=prev"/>
		<updated>2018-11-02T05:22:11Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:22, 2 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;--&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;An ambitious musician and talented cellist&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;has her life suddenly turned upside down when her mother commits suicide&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;. While going through her deceased mom&amp;#039;s possessions&lt;/del&gt;, the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;cellist finds an old box filled &lt;/del&gt;with &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;newspaper cuttings about the disappearance of a young girl from a small Welsh village more than 20 years ago. With &lt;/del&gt;her trusted friend &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;by &lt;/del&gt;her &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;side, she travels &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Wales to see if the &lt;/del&gt;case of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;the &lt;/del&gt;missing girl &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and her own mother&amp;#039;s death are in any way related. What &lt;/del&gt;she &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;finds out, however, leads &lt;/del&gt;her to question her own identity and reality.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;An ambitious musician and talented cellist has her life suddenly turned upside down when her mother commits suicide, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;leading &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;musician to Wales &lt;/ins&gt;with her trusted friend &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to find out how &lt;/ins&gt;her &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;mother&amp;#039;s suicide is related &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a cold &lt;/ins&gt;case of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/ins&gt;missing girl&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;; the dark secrets &lt;/ins&gt;she &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;uncovers lead &lt;/ins&gt;her to question her own identity and reality.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=30241&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=30241&amp;oldid=prev"/>
		<updated>2018-11-02T05:19:23Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 05:19, 2 November 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Details==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Requiem 2018series.png|thumb|&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;200px&lt;/del&gt;|right|Promotional imagery for &amp;#039;&amp;#039;Requiem (2018 series)&amp;#039;&amp;#039;...]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Requiem 2018series.png|thumb|&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;300px&lt;/ins&gt;|right|Promotional imagery for &amp;#039;&amp;#039;Requiem (2018 series)&amp;#039;&amp;#039;...]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!--&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!--&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This list of details is partly intended for those films produced by&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This list of details is partly intended for those films produced by&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
	<entry>
		<id>https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=30240&amp;oldid=prev</id>
		<title>Ywhateley: Page created.</title>
		<link rel="alternate" type="text/html" href="https://yogwiki.cthulhueternal.com/wiki/index.php?title=Requiem_(2018_series)&amp;diff=30240&amp;oldid=prev"/>
		<updated>2018-11-02T05:18:55Z</updated>

		<summary type="html">&lt;p&gt;Page created.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;==Summary==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Short, Spoiler-Free Summary; tag-line or elevator pitch.)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
An ambitious musician and talented cellist, has her life suddenly turned upside down when her mother commits suicide. While going through her deceased mom&amp;#039;s possessions, the cellist finds an old box filled with newspaper cuttings about the disappearance of a young girl from a small Welsh village more than 20 years ago. With her trusted friend by her side, she travels to Wales to see if the case of the missing girl and her own mother&amp;#039;s death are in any way related. What she finds out, however, leads her to question her own identity and reality.&lt;br /&gt;
&lt;br /&gt;
==Details==&lt;br /&gt;
[[File:Requiem 2018series.png|thumb|200px|right|Promotional imagery for &amp;#039;&amp;#039;Requiem (2018 series)&amp;#039;&amp;#039;...]]&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
This list of details is partly intended for those films produced by&lt;br /&gt;
film-makers, performers, producers/studios, etc. that tend to make&lt;br /&gt;
&amp;quot;Lovecraftian&amp;quot; films, for ease of finding related or similar films.&lt;br /&gt;
This list is also partly intended to make it easier to identify a&lt;br /&gt;
specific film out of many with the same name, to make them easier to&lt;br /&gt;
tell apart - some stories have been adapted numerous times by different&lt;br /&gt;
amateur short film makers!  Some films have a &amp;quot;TVTropes&amp;quot; page, which&lt;br /&gt;
will often detail obscure &amp;quot;Lovecraftian&amp;quot; elements of a film that this&lt;br /&gt;
wiki misses, and, if a TVTropes page exists, it can be a useful&lt;br /&gt;
resource.  Feel free to remove any sections that are irrelevant, &lt;br /&gt;
unknown, or unnecessary.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Release Date:  2018&lt;br /&gt;
* Country/Language:  UK, English&lt;br /&gt;
* Genres/Technical:  Horror, Mystery, miniseries&lt;br /&gt;
* Setting:  [[Modern]] [[Wales]]&lt;br /&gt;
* Runtime:  6 hr&lt;br /&gt;
* Starring:  Lydia Wilson, James Frecheville, Sian Reese-Williams&lt;br /&gt;
* Creator:  Kris Mrksa&lt;br /&gt;
* Producer/Production Co:  Netflix, All3Media International, BBC One, New Pictures&lt;br /&gt;
* View Trailer: ([https://www.youtube.com/watch?v=vlOk23dC98Q link])&lt;br /&gt;
* Wikipedia: ([https://en.wikipedia.org/wiki/Requiem_(TV_series) link])&lt;br /&gt;
* IMDB Page:  ([https://www.imdb.com/title/tt6712390/ link])&lt;br /&gt;
&amp;lt;!--* Film Website:  ([URL link])&lt;br /&gt;
* TVTropes: ([URL link])&lt;br /&gt;
* View Film:  ([URL link])--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Ratings==&lt;br /&gt;
===[http://www.mpaa.org/film-ratings/ MPAA Ratings]===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
I&amp;#039;ve been including this information for those of us who like to watch&lt;br /&gt;
Lovecraft movies with family, including younger children, and want to&lt;br /&gt;
avoid any awkwardness.&lt;br /&gt;
E.G., &amp;quot;Rated: R (Violence, Nudity, Language....)&amp;quot; &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* Rated:  TV-MA (mild Profanity and Adult Content, and probably Violence)&lt;br /&gt;
&lt;br /&gt;
===Tentacle Ratings===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Use one of the following lines, and edit it as appropriate.  Follow it with an&lt;br /&gt;
explanation/description of how it qualifies as &amp;quot;Lovecraftian&amp;quot;, such as any&lt;br /&gt;
name-dropping of Lovecraft&amp;#039;s creations, whether it&amp;#039;s based on a Lovecraft story&lt;br /&gt;
and if so which one, whether it&amp;#039;s simply &amp;quot;feels&amp;quot; kind of Lovecraftian, etc.)&lt;br /&gt;
Some examples:  one tentacle only if the mood and atmosphere are right but it&amp;#039;s &lt;br /&gt;
not based on a Lovecraft story and contains no specific Lovecraftian elements even&lt;br /&gt;
in spirit; one tentacle only if it mentions specifically Lovecraftian elements but&lt;br /&gt;
isn&amp;#039;t based on Lovecraft story and doesn&amp;#039;t have the right mood; one tentacle only &lt;br /&gt;
if it has some tentacle monsters but the mood isn&amp;#039;t very Lovecraftian and specific&lt;br /&gt;
Lovecraft creations aren&amp;#039;t mentioned by name; if the film is based on a recognizable&lt;br /&gt;
Lovecraft story it automatically gets two tentacles, and may get a third or more&lt;br /&gt;
depending on if Lovecraftian monsters are present, the mood and atmosphere are&lt;br /&gt;
suitably Lovecraftian in tone, and if the work is particularly accurate and true to&lt;br /&gt;
the spirit of the original story.&lt;br /&gt;
* _____ (Zero Tentacles: Unrated for Lovecraftian Content)&lt;br /&gt;
* S____ (One Tentacle:  Debateably Lovecraftian; has almost no direct connection to Lovecraft&amp;#039;s work)&lt;br /&gt;
* SS___ (Two Tentacles: Barely Lovecraftian; vaguely similar in tone, could be a very loose adaptation)&lt;br /&gt;
* SSS__ (Three Tentacles: Lovecraftian, was probably written by Lovecraft himself.)&lt;br /&gt;
* SSSS_ (Four Tentacles: Unusually Lovecraftian; written by Lovecraft, a remarkably faithful adaptation)&lt;br /&gt;
* SSSSS (Five Tentacles: definitively Lovecraftian; everything you&amp;#039;d expect from a Lovecraft adaptation and more)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
A rough [[Tentacle Ratings|measure]] of how &amp;quot;Lovecraftian&amp;quot; the work is:&lt;br /&gt;
* SSs__ (Two and a Half Tentacles: Almost Lovecraftian; similar in tone)&lt;br /&gt;
&lt;br /&gt;
The gothic secrets at the heart of the plot hinge upon a group of cultists practicing Enochian magick to contact a strange race of alien/supernatural &amp;quot;angelic&amp;quot; beings from another dimension.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Note:  This rating is not intended as a measure of quality, merely of &lt;br /&gt;
how closely related to Lovecraftian &amp;quot;Weird&amp;quot; fiction the work is.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Reviews===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of reviews for the work, along with the review&amp;#039;s rating (for example, &amp;quot;4/5 Stars&amp;quot;) &lt;br /&gt;
* Author_andor_Location, ([URL link]) - RATING &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
Review Links:&lt;br /&gt;
* (review needed)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Synopsis (SPOILERS)==&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Should be an objective, unbiased, detailed synopsis of film&amp;#039;s plot and themes.&lt;br /&gt;
The following optional spoiler code apparently works badly on smart phones.) &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
{{spoiler|&lt;br /&gt;
An ambitious musician and talented cellist, has her life suddenly turned upside down when her mother commits suicide. While going through her deceased mom&amp;#039;s possessions, the cellist finds an old box filled with newspaper cuttings about the disappearance of a young girl from a small Welsh village more than 20 years ago. With her trusted friend by her side, she travels to Wales to see if the case of the missing girl and her own mother&amp;#039;s death are in any way related. What she finds out, however, leads her to question her own identity and reality.  The gothic secrets at the heart of the plot hinge upon a group of cultists practicing Enochian magick to contact a strange race of alien/supernatural &amp;quot;angelic&amp;quot; beings from another dimension.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&lt;br /&gt;
===Comments, Trivia, Dedication===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional; describe anything known or reported by experts about the &lt;br /&gt;
origin of the story or inspiration for elements of it; list dedication, &lt;br /&gt;
trivia, images, anything else of note &lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* The symbol carved on the stone in episode 2 is the Monas Hieroglyphica (or Hieroglyphic Monad), an esoteric symbol invented and designed by Dr. [[John Dee]], the Elizabethan Magus and Court Astrologer of Elizabeth I of England. &lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
===Associated Mythos Elements===&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(A list of notable Lovecraftian creatures, tomes, Great Old Ones, characters, &lt;br /&gt;
etc. that appear in the film/show/etc.  It helps to specify if it just takes&lt;br /&gt;
the form of general &amp;quot;name-dropping&amp;quot; (someone mentions &amp;quot;Yog-Sothoth!&amp;quot;, but &lt;br /&gt;
Yog-Sothoth doesn&amp;#039;t actually appear; a random creepy tome in the background&lt;br /&gt;
is labeled &amp;#039;&amp;#039;Necronomicon&amp;#039;&amp;#039; but never actually appears, a character is wearing&lt;br /&gt;
a Miskatonic University sweatshirt but the school never makes an appearance...)&lt;br /&gt;
Remove any sections that do not apply.  Note that some unnamed monsters may be&lt;br /&gt;
considered &amp;quot;stand-ins&amp;quot; that are effectively the same as specific Lovecraftian&lt;br /&gt;
monsters, though the film never makes that explicitly clear - for example, a&lt;br /&gt;
standard-issue Gill-Man from &amp;quot;Creature from the Black Lagoon&amp;quot; might be labeled&lt;br /&gt;
a &amp;quot;Deep One&amp;quot; for the purposes of this Wiki, even though any resemblance is&lt;br /&gt;
probably unintentional.  Vaguely/generically &amp;quot;Lovecraftian&amp;quot; elements might &lt;br /&gt;
include [[Human Cultist]]s, [[Tentacle Monster]]s, &amp;#039;&amp;#039;[[Necronomicon Ex-Mortis]]&amp;#039;&amp;#039;,&lt;br /&gt;
and the mysterious outer/astral dimension we might call the [[Other Side]]....)&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
* tome:  if the shoebox of clippings doesn&amp;#039;t count after a fashion, then at least the walls of unearthly music/ritual recordings in the hidden room should&lt;br /&gt;
* artifact:  black mirror&lt;br /&gt;
* symbol:  Monas Hieroglyphica, an invention of [[John Dee]]&lt;br /&gt;
* races: &lt;br /&gt;
** [[Elemental]]s&lt;br /&gt;
** [[Human Cultist]]s&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Keeper Notes===&lt;br /&gt;
&amp;lt;!-- &lt;br /&gt;
(Optional.  Notes to Keepers on using this for film for scenario ideas.  &lt;br /&gt;
Heresies and Controversies:  this is also a good place to include non-canon &lt;br /&gt;
and controversial aspects of the film&amp;#039;s mythos.  Suggested Alternative Theories &lt;br /&gt;
include:  Derleth&amp;#039;s elemental scheme; pseudo-science interpretation; &amp;quot;fanon&amp;quot; &lt;br /&gt;
interpretations; unofficial humorous or eccentric versions; identification with &lt;br /&gt;
&amp;quot;Real Life&amp;quot; mythological, religious, folklore, natural, and historical phenomena; &lt;br /&gt;
rumor and speculation contribute some flexibility and ambiguity to the mythos. &lt;br /&gt;
* Alternative_theory.  ([[source]])  &lt;br /&gt;
This section is more commonly used on YSDC Wiki pages for suggesting ways to&lt;br /&gt;
adapt the film to use as a Call of Cthulhu scenario; the Keeper Notes section &lt;br /&gt;
might include multiple such suggested adaptations.&lt;br /&gt;
* (One/two sentence story inspired by the film, starring investigators.)&lt;br /&gt;
TIP:  Film plots are often difficult to adapt into RPG scenarios; try having&lt;br /&gt;
the investigators arrive after the events from the movie have started happening&lt;br /&gt;
or have already happened to NPCs, and leave the investigators to piece together&lt;br /&gt;
the clues to find out what happened.  Adaptations of film plots to RPG scenarios &lt;br /&gt;
almost always benefit from changing cosmetic details around until the exact story&lt;br /&gt;
is no longer easily recognizable, by changing the setting, descriptions of monsters,&lt;br /&gt;
character names, and that sort of thing.&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!--&lt;br /&gt;
(Add any of the following categories that apply to the end of the page; &lt;br /&gt;
the first (DEFAULTSORT) is used to sort the film by something other than &lt;br /&gt;
a leading The/A/An so that it alphabetizes correctly.  A &amp;quot;Short&amp;quot; is &lt;br /&gt;
less than an hour long (perhaps an episode of a TV anthology program, music&lt;br /&gt;
video, or short-subject amateur film); &amp;quot;Film&amp;quot; is a longer feature-length movie&lt;br /&gt;
(longer than an hour), &amp;quot;Series_or_Serial&amp;quot; may include TV programs, serials, &lt;br /&gt;
and mini-series; &amp;quot;Franchise&amp;quot; is a series of Films, perhaps including feature-&lt;br /&gt;
length Films, Short films, TV Series/Serials/Programs, and other media.)&lt;br /&gt;
{{DEFAULTSORT:Unsorted, The}}&lt;br /&gt;
--&amp;gt;&lt;br /&gt;
[[Category:Film:General]]&lt;br /&gt;
[[Category:Film:Series_or_Serial]]&lt;br /&gt;
[[Category:Film:SurrealHorror]]&lt;br /&gt;
[[Category:Film:Tomes]]&lt;br /&gt;
[[Category:Film:Portals]]&lt;br /&gt;
[[Category:Film:CultsCultists]]&lt;br /&gt;
[[Category:Film:HollowEarthLittlePeople]]&lt;br /&gt;
[[Category:Film:MindTransferDoppelgangers]]&lt;br /&gt;
[[Category:Film:MonstrousAncestry]]&lt;br /&gt;
[[Category:Film:WildernessBackwoods]]&lt;br /&gt;
[[Category:Film:Darkness]]&lt;br /&gt;
[[Category:Film:DownerEnding]]&lt;br /&gt;
[[Category:Film:GothicHorror]]&lt;br /&gt;
[[Category:FIlm:SupernaturalDetective]]&lt;br /&gt;
[[Category:Film:Three-Tentacle Media]]&lt;br /&gt;
&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Ywhateley</name></author>
		
	</entry>
</feed>