Horror Stories From The Red Room (Scenario) - Revision history

SavageBob: +cat

2019-11-02T03:29:30Z

+cat

Ywhateley: Additional Details added

2018-09-29T21:31:04Z

Additional Details added

Graham: /* Synopsis */

2017-09-11T13:23:43Z

‎Synopsis

Ywhateley: Details, typo corrections, and clarifications.

2016-01-31T08:39:52Z

Details, typo corrections, and clarifications.

Ywhateley: Details, typo corrections, and clarifications.

2016-01-31T02:19:38Z

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2016-01-31T00:03:49Z

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Ywhateley: Details, typo corrections, and clarifications.

2016-01-30T23:54:26Z

Details, typo corrections, and clarifications.

Ywhateley: Details, typo corrections, and clarifications.

2016-01-30T23:43:19Z

Details, typo corrections, and clarifications.

Ywhateley: Details, typo corrections, and clarifications.

2016-01-30T23:34:56Z

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2016-01-30T23:30:03Z

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@@ Line 114: / Line 114: @@
 [[Category:CoC:Scenarios]]
 [[Category:CoC:Halloween_scenarios]]
 [[Category:CoC:Scenarios set in California]]

@@ Line 86: / Line 86: @@
 ** "The seven grave men, including myself, had gathered as usual to exchange blood-curdling horror stories. We sank into the deep armchairs, covered with scarlet velvet, in the room which had been dubbed the 'Red Chamber' and waited eagerly for the narrator of the evening to begin his tale." —Edogawa Rampo, "The Red Chamber", (translated by James B. Harris)
 ** [[Cody Goodfellow]], scenario "[[The_Ferry_Ride|The Ferry Ride]]" (from ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]'')
-** H.P. Lovecraft, "[[Cool Air]]" and "[[The Music of Erich Zann]]"
+** H.P. Lovecraft, "[[Cool Air (fiction)]]" and "[[The Music of Erich Zann (fiction)]]"
-** Akutagawa, Ryunosuke, "The Hell Screen" (Jigoku hen- Hell’s Cataclysm)
+** Akutagawa, Ryunosuke, "The Hell Screen" (Jigoku hen- Hell's Cataclysm)
 ** Maps of houses used - designs and information provided from R. J. Christensen’s ''[[This_Old_Haunted_House,_Too|This Old Haunted House, Too (Chaosium Monograph CHA0373)]]''.
 * Some of the characters in the scenario (Randolph Hearst, Clark Ashton Smith, et.al.) were real people.

@@ Line 26: / Line 26: @@
 ===Synopsis===
-The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings (plus an unknown fifth painting) were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.  The investigation will end when the investigators return with a solid and well-researched story to fill the Beaumont estate Catalogue (or perhaps, information that would be embarrassing to Beaumont estate, thus ending the auction).
+{{spoiler|The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings (plus an unknown fifth painting) were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.  The investigation will end when the investigators return with a solid and well-researched story to fill the Beaumont estate Catalogue (or perhaps, information that would be embarrassing to Beaumont estate, thus ending the auction).
 ===References===
 '''Player Handouts:'''

@@ Line 101: / Line 101: @@
 Special Notes:
 * Strangely, there are no descriptions for the first four paintings in the "[[Dreams from the Red Room]]" series, though a reference exists to the paintings hanging prominently in a room of a house the investigators search.  Keepers may want to prepare descriptions of the paintings in advance.
 * According to the scenario's author:
 ** "This scenario is written for 2-4 players with intermediate experience. Journalists, private investigators, antiquarians, professors in relevant fields, authors, and artists are probably excellent occupations for the players to portray in this investigation. Characters knowing the Chinese Language (either Cantonese or Mandarin), will have some advantages."

@@ Line 100: / Line 100: @@
 Special Notes:
-* Strangely, there are no descriptions for the first four paintings in the "[[Dreams of the Red Room]]" series, though a reference exists to the paintings hanging prominently in a room of a house the investigators search.  Keepers may want to prepare descriptions of the paintings in advance.
+* Strangely, there are no descriptions for the first four paintings in the "[[Dreams from the Red Room]]" series, though a reference exists to the paintings hanging prominently in a room of a house the investigators search.  Keepers may want to prepare descriptions of the paintings in advance.
 * According to the scenario's author:
 ** "This scenario is written for 2-4 players with intermediate experience. Journalists, private investigators, antiquarians, professors in relevant fields, authors, and artists are probably excellent occupations for the players to portray in this investigation. Characters knowing the Chinese Language (either Cantonese or Mandarin), will have some advantages."
@@ Line 112: / Line 112: @@
 Sequel Plot Hooks:  None specifically; the connections the investigators make might lead into other scenarios set in San Francisco (see ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]''); the list of names of members/guests of the "[[Red Room Cabal]]" might be expanded to include names of characters in future scenarios.
 [[Category:CoC:Scenarios]]
 [[Category:CoC:Halloween_scenarios]]
-[[CoC:Scenarios set in California]]
+[[Category:CoC:Scenarios set in California]]
-[[CoC:Scenarios set in San Francisco]]
+[[Category:CoC:Scenarios set in San Francisco]]
-[[CoC:Art scenarios]]
+[[Category:CoC:Art scenarios]]
-[[CoC:Music scenarios]]
+[[Category:CoC:Music scenarios]]
-[[CoC:Hired agent scenarios]]
+[[Category:CoC:Hired agent scenarios]]
-[[CoC:Ghoul scenarios]]
+[[Category:CoC:Ghoul scenarios]]
-[[CoC:Scenarios referencing Azathoth]]
+[[Category:CoC:Scenarios referencing Azathoth]]
 __NOTOC__

@@ Line 75: / Line 75: @@
 '''Organizations:'''
 * [[Pure Heart Society of Benevolence]]
-* The [[Red Room Circle]]
+* The [[Red Room Cabal]]
 '''Campaigns / Scenarios:''' ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]''
@@ Line 110: / Line 110: @@
 Dependence on Halloween:  Unlike most other scenarios in the monograph series this scenario came from, there are no references at all to Halloween in this scenario.
-Sequel Plot Hooks:  None specifically; the connections the investigators make might lead into other scenarios set in San Francisco (see ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]''); the list of names of members/guests of the "[[Red Room Circle]]" might be expanded to include names of characters in future scenarios.
+Sequel Plot Hooks:  None specifically; the connections the investigators make might lead into other scenarios set in San Francisco (see ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]''); the list of names of members/guests of the "[[Red Room Cabal]]" might be expanded to include names of characters in future scenarios.
 <!-- {{DEFAULTSORT:TheUnsorted}} -->

@@ Line 14: / Line 14: @@
 ==Summary==
-The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.
+The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.  The investigation will end when the investigators return with a solid and well-researched story to fill the Beaumont estate Catalogue (or perhaps, information that would be embarrassing to Beaumont estate, thus ending the auction).
 ==Links==
@@ Line 28: / Line 28: @@
 Describe the adventure in detail; no bias allowed.
-The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings (plus an unknown fifth painting) were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.
+The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings (plus an unknown fifth painting) were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.  The investigation will end when the investigators return with a solid and well-researched story to fill the Beaumont estate Catalogue (or perhaps, information that would be embarrassing to Beaumont estate, thus ending the auction).
 The Investigators will, in the course of researching Xavier and his paintings, uncover the dark secrets about the "Red Room" circle, the role played by the drug "the [[Nightmare Opium of Leng]]" in the group's activities, the unearthly fates of the club's members, the inspiration for Xavier's bizarre ''[[Dreams from the Red Room]]'' painting series and the hidden fifth painting, Xavier's music, and more.

@@ Line 30: / Line 30: @@
 The investigators have been summoned to the Beaumont estate to research the life of an artist and his paintings for an upcoming auction. The four paintings (plus an unknown fifth painting) were called ''[[Dreams from the Red Room]]'', by an artist named [[Xavier Ignacio]]. There are three wealthy bidders who have expressed a deep interest in purchasing the whole collection, so the Beaumont estate wants to create a special catalogue that will showcase the meaningful value of these art pieces. The problem, and the reason the investigators are needed, is that Xavier Ignacio was not very well known and died in poverty at the age of 27.... The Beaumont estate would like the investigators to collect information and interview people who might know anything about Xavier Ignacio and his paintings.
-The Investigators will, in the course of researching Xavier and his paintings, uncover the dark secrets about the "Red Room" circle, the role played by the drug "[[The Nightmare Opium of Leng]]" in the group's activities, the unearthly fates of the club's members, the inspiration for Xavier's bizarre ''[[Dreams from the Red Room]]''
+The Investigators will, in the course of researching Xavier and his paintings, uncover the dark secrets about the "Red Room" circle, the role played by the drug "[[The Nightmare Opium of Leng]]" in the group's activities, the unearthly fates of the club's members, the inspiration for Xavier's bizarre ''[[Dreams from the Red Room]]'' painting series and the hidden fifth painting, Xavier's music, and more.
 ===References===
@@ Line 83: / Line 82: @@
 List dedication, trivia,  images, anything else of note.
-* I would like to thank my wife, Danielle Yee for editing this scenario and giving me invaluable feedback. Also want to thank my play testers Sam Carter, John Armstrong and Albert Park.
+* "I would like to thank my wife, Danielle Yee for editing this scenario and giving me invaluable feedback. Also want to thank my play testers Sam Carter, John Armstrong and Albert Park."
 * This scenario was inspired by the following authors:
-* "The worst of all the things that haunt poor mortal man,” said I; “and that is, in all its nakedness-- Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room...." —H.G. Wells, "The Red Room"
+** "The worst of all the things that haunt poor mortal man,” said I; “and that is, in all its nakedness-- Fear that will not have light nor sound, that will not bear with reason, that deafens and darkens and overwhelms. It followed me through the corridor, it fought against me in the room...." —H.G. Wells, "The Red Room"
-* "The seven grave men, including myself, had gathered as usual to exchange blood-curdling horror stories. We sank into the deep armchairs, covered with scarlet velvet, in the room which had been dubbed the 'Red Chamber' and waited eagerly for the narrator of the evening to begin his tale." —Edogawa Rampo, "The Red Chamber", (translated by James B. Harris)
+** "The seven grave men, including myself, had gathered as usual to exchange blood-curdling horror stories. We sank into the deep armchairs, covered with scarlet velvet, in the room which had been dubbed the 'Red Chamber' and waited eagerly for the narrator of the evening to begin his tale." —Edogawa Rampo, "The Red Chamber", (translated by James B. Harris)
-* [[Cody Goodfellow]], scenario "[[The_Ferry_Ride|The Ferry Ride]]" (from ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]'')
+** [[Cody Goodfellow]], scenario "[[The_Ferry_Ride|The Ferry Ride]]" (from ''[[Secrets_of_San_Francisco|The Secrets of San Francisco]]'')
-* H.P. Lovecraft, "[[Cool Air]]" and "[[The Music of Erich Zann]]"
+** H.P. Lovecraft, "[[Cool Air]]" and "[[The Music of Erich Zann]]"
-* Akutagawa, Ryunosuke, "The Hell Screen" (Jigoku hen- Hell’s Cataclysm)
+** Akutagawa, Ryunosuke, "The Hell Screen" (Jigoku hen- Hell’s Cataclysm)
-* Maps of houses used - designs and information provided from R. J. Christensen’s ''[[This_Old_Haunted_House,_Too|This Old Haunted House, Too (Chaosium Monograph CHA0373)]]''.
+** Maps of houses used - designs and information provided from R. J. Christensen’s ''[[This_Old_Haunted_House,_Too|This Old Haunted House, Too (Chaosium Monograph CHA0373)]]''.
+* Some of the characters in the scenario (Randolph Hearst, Clark Ashton Smith, et.al.) were real people.
 ===Keeper Comments===
@@ Line 105: / Line 104: @@
 ** "This scenario is written for 2-4 players with intermediate experience. Journalists, private investigators, antiquarians, professors in relevant fields, authors, and artists are probably excellent occupations for the players to portray in this investigation. Characters knowing the Chinese Language (either Cantonese or Mandarin), will have some advantages."
 ** "The scenario draws material from Chaosium’s Secrets of San Francisco, and it would be useful to have it for reference."
-** "The structure of the adventure is non-linear and mostly investigational, with the possibility of having no combat if the investigators are very cautious. While the Cthulhu Mythos elements
+** "The structure of the adventure is non-linear and mostly investigational, with the possibility of having no combat if the investigators are very cautious. While the Cthulhu Mythos elements in the scenario are present for most of the significant encounters, the investigators will need to be too curious for their own good in order to discover them."
 ** "The scenario is very player-driven. How investigators interpret their findings from the various encounters, which all differ due to their own relationships and points of view, will dictate the ending of this scenario."
-** Several of the characters in the scenario (Randolph Hearst, Clark Ashton Smith, et.al.) were real people.
 Dependence on Halloween:  Unlike most other scenarios in the monograph series this scenario came from, there are no references at all to Halloween in this scenario.