Duel (1971 film) - Revision history

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[[File:Duel 1971film.jpg|thumb|200px|right|Scene from ''Duel (1971 film)''...]]

==Summary==


"Terror in your rear view mirror." A business commuter is pursued and terrorized by the malevolent driver of a massive tractor-trailer.

==Details==

* Release Date: 1971
* Country/Language: US, English
* Genres/Technical: Action, Thriller, made-for-TV
* Setting: [[1970s]] [[California]] USA
* Runtime: 1 hr 31 min
* Starring: Dennis Weaver
* Director: [[Steven Spielberg]]
* Writer: [[Richard Matheson]]
* Producer/Production Co: ABC, Universal Television
* View Trailer: ([https://www.youtube.com/watch?v=5MtAMc4i8OA link])
* TVTropes: ([http://tvtropes.org/pmwiki/pmwiki.php/Film/Duel link])
* IMDB Page: ([http://www.imdb.com/title/tt0067023/ link])

==Ratings==
===[http://www.mpaa.org/film-ratings/ MPAA Ratings]===

* Rated: PG (Violence, mild Profanity)

===Tentacle Ratings===

A rough [[Tentacle Ratings|measure]] of how "Lovecraftian" the work is:
* s____ (One Half Tentacle: More or Less Non-Lovecraftian)

''Duel'' has no real direct connection with Lovecraft's work, though the screenplay by [[Richard Matheson]] (no stranger to vaguely Lovecraftian storytelling) does manage to lend the tanker truck, all black with tinted windows and no evidence of a human driver, an aura of nameless, irrational, elemental menace in common with some of Lovecraft's nightmarish horrors.

''Note: This rating is not intended as a measure of quality, merely of
how closely related to Lovecraftian "Weird" fiction the work is.''

===Reviews===

Review Links:
* Richard Scheib at Moria movie reviews, ([http://moria.co.nz/horror/duel-1971.htm link]) - "(5/5) Spielberg introduces a non-human antagonist that symbolically emerges out of the blue and smashes through the placid lives of his everyman protagonists... Like every good horror film, this is a picture of normality only waiting for the intrusion of the inexplicable to turn it on its head... The fact that the driver is never identified is significant. Some cinema reference works have been happy to pigeonhole Duel as a science-fiction film – the fact that the truck’s driver is rarely seen making for an obvious man-vs-machine allegory. This seems to be missing the point. In seeing Duel, it becomes a difficult case to maintain – the driver is clearly seen silhouetted in the cab.... Certainly, the Man vs Machine analogy rears up over the film but it is only a metaphor and Duel reads as a standard psychological thriller in every other way. It is a metaphor Richard Matheson is not unaware of... By the end, with the truck going over the cliff in slow-motion accompanied by a bestial roar and Dennis Weaver’s eventual reduction to non-verbal grunts as he conducts a dance of triumph, Steven Spielberg and Richard Matheson have symbolically stripped Mann to the point he is caveman fighting a primitive leviathan... [Spielberg withholds] any explanation for the grueling assaults... the very lack of an explanation behind the assault creates a sense of overwhelming anxiety."
* The Movie Vault, ([https://www.youtube.com/watch?v=5RLkzIDhEMk link]) - TO DO

==Synopsis (SPOILERS)==


==Notes==

===Comments, Trivia, Dedication===


===Associated Mythos Elements===

* TO DO

===Keeper Notes===

* There can be some power in punctuating super-natural or super-scientific alien threats from "the Mythos" with more ambiguous, and less obvious threats, suggesting a truly hostile universe where the investigators can be menaced personally, by the almost invisibly mundane, for no apparent rational reason at all. Between investigations, the investigators encounter danger from out of nowhere in the form of a black tanker truck (or other menacing but common vehicle or large animal suitable to the era, with no apparent human element in control), forcing them into a life-or-death struggle with little chance to reason with it; the assaults seem personal, but in the end there is no real explanation for the aggression at all.


[[Category:Film:General]]

__NOTOC__

@@ Line 82: / Line 82: @@
 -->
 Review Links:
-* The Movie Vault, ([https://www.youtube.com/watch?v=5RLkzIDhEMk link]) - ""...an early depiction of road rage... ...it makes the truck the villain... Although rather slow paced this movie is rather good at building suspense."
+* The Movie Vault, ([https://www.youtube.com/watch?v=5RLkzIDhEMk link]) - "...an early depiction of road rage... ...it makes the truck the villain... Although rather slow paced this movie is rather good at building suspense."
 * Scott Ashlin at 1000 Misspent Hours and Counting (4/5 Stars) ([http://www.1000misspenthours.com/reviews/reviewsa-d/duel.htm link]) - "There’s a good chance that Duel is the best horror movie ever made for American TV. The sheer efficiency of it is breathtaking; barely a second is wasted anywhere, and there isn’t a single scene or minor secondary character that isn’t somehow necessary to maintaining the mood of escalating panic or keeping the story in motion. ... And Spielberg’s decision never to reveal the mad trucker’s face is a masterstroke. ...the truck itself takes on a sinister sort of life."
 * Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (5/5 Stars), ([http://moria.co.nz/horror/duel-1971.htm link]) - "Spielberg introduces a non-human antagonist that symbolically emerges out of the blue and smashes through the placid lives of his everyman protagonists... Like every good horror film, this is a picture of normality only waiting for the intrusion of the inexplicable to turn it on its head... The fact that the driver is never identified is significant. Some cinema reference works have been happy to pigeonhole ''Duel'' as a science-fiction film – the fact that the truck’s driver is rarely seen making for an obvious man-vs-machine allegory. This seems to be missing the point. In seeing ''Duel'', it becomes a difficult case to maintain – the driver is clearly seen silhouetted in the cab.... Certainly, the Man vs Machine analogy rears up over the film but it is only a metaphor and Duel reads as a standard psychological thriller in every other way. It is a metaphor Richard Matheson is not unaware of... By the end, with the truck going over the cliff in slow-motion accompanied by a bestial roar and Dennis Weaver’s eventual reduction to non-verbal grunts as he conducts a dance of triumph, Steven Spielberg and Richard Matheson have symbolically stripped Mann to the point he is caveman fighting a primitive leviathan... [Spielberg withholds] any explanation for the grueling assaults... the very lack of an explanation behind the assault creates a sense of overwhelming anxiety."

@@ Line 82: / Line 82: @@
 -->
 Review Links:
-* The Movie Vault, ([https://www.youtube.com/watch?v=5RLkzIDhEMk link]) - TO DO
+* The Movie Vault, ([https://www.youtube.com/watch?v=5RLkzIDhEMk link]) - ""...an early depiction of road rage... ...it makes the truck the villain... Although rather slow paced this movie is rather good at building suspense."
 * Scott Ashlin at 1000 Misspent Hours and Counting (4/5 Stars) ([http://www.1000misspenthours.com/reviews/reviewsa-d/duel.htm link]) - "There’s a good chance that Duel is the best horror movie ever made for American TV. The sheer efficiency of it is breathtaking; barely a second is wasted anywhere, and there isn’t a single scene or minor secondary character that isn’t somehow necessary to maintaining the mood of escalating panic or keeping the story in motion. ... And Spielberg’s decision never to reveal the mad trucker’s face is a masterstroke. ...the truck itself takes on a sinister sort of life."
 * Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (5/5 Stars), ([http://moria.co.nz/horror/duel-1971.htm link]) - "Spielberg introduces a non-human antagonist that symbolically emerges out of the blue and smashes through the placid lives of his everyman protagonists... Like every good horror film, this is a picture of normality only waiting for the intrusion of the inexplicable to turn it on its head... The fact that the driver is never identified is significant. Some cinema reference works have been happy to pigeonhole ''Duel'' as a science-fiction film – the fact that the truck’s driver is rarely seen making for an obvious man-vs-machine allegory. This seems to be missing the point. In seeing ''Duel'', it becomes a difficult case to maintain – the driver is clearly seen silhouetted in the cab.... Certainly, the Man vs Machine analogy rears up over the film but it is only a metaphor and Duel reads as a standard psychological thriller in every other way. It is a metaphor Richard Matheson is not unaware of... By the end, with the truck going over the cliff in slow-motion accompanied by a bestial roar and Dennis Weaver’s eventual reduction to non-verbal grunts as he conducts a dance of triumph, Steven Spielberg and Richard Matheson have symbolically stripped Mann to the point he is caveman fighting a primitive leviathan... [Spielberg withholds] any explanation for the grueling assaults... the very lack of an explanation behind the assault creates a sense of overwhelming anxiety."

@@ Line 84: / Line 84: @@
 * The Movie Vault, ([https://www.youtube.com/watch?v=5RLkzIDhEMk link]) - TO DO
 * Scott Ashlin at 1000 Misspent Hours and Counting (4/5 Stars) ([http://www.1000misspenthours.com/reviews/reviewsa-d/duel.htm link]) - "There’s a good chance that Duel is the best horror movie ever made for American TV. The sheer efficiency of it is breathtaking; barely a second is wasted anywhere, and there isn’t a single scene or minor secondary character that isn’t somehow necessary to maintaining the mood of escalating panic or keeping the story in motion. ... And Spielberg’s decision never to reveal the mad trucker’s face is a masterstroke. ...the truck itself takes on a sinister sort of life."
-* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (5/5 Stars), ([http://moria.co.nz/horror/duel-1971.htm link]) - "Spielberg introduces a non-human antagonist that symbolically emerges out of the blue and smashes through the placid lives of his everyman protagonists... Like every good horror film, this is a picture of normality only waiting for the intrusion of the inexplicable to turn it on its head... The fact that the driver is never identified is significant. Some cinema reference works have been happy to pigeonhole Duel as a science-fiction film – the fact that the truck’s driver is rarely seen making for an obvious man-vs-machine allegory. This seems to be missing the point. In seeing Duel, it becomes a difficult case to maintain – the driver is clearly seen silhouetted in the cab.... Certainly, the Man vs Machine analogy rears up over the film but it is only a metaphor and Duel reads as a standard psychological thriller in every other way. It is a metaphor Richard Matheson is not unaware of... By the end, with the truck going over the cliff in slow-motion accompanied by a bestial roar and Dennis Weaver’s eventual reduction to non-verbal grunts as he conducts a dance of triumph, Steven Spielberg and Richard Matheson have symbolically stripped Mann to the point he is caveman fighting a primitive leviathan... [Spielberg withholds] any explanation for the grueling assaults... the very lack of an explanation behind the assault creates a sense of overwhelming anxiety."
+* Richard Scheib at the Science Fiction, Horror and Fantasy Film Review (5/5 Stars), ([http://moria.co.nz/horror/duel-1971.htm link]) - "Spielberg introduces a non-human antagonist that symbolically emerges out of the blue and smashes through the placid lives of his everyman protagonists... Like every good horror film, this is a picture of normality only waiting for the intrusion of the inexplicable to turn it on its head... The fact that the driver is never identified is significant. Some cinema reference works have been happy to pigeonhole ''Duel'' as a science-fiction film – the fact that the truck’s driver is rarely seen making for an obvious man-vs-machine allegory. This seems to be missing the point. In seeing ''Duel'', it becomes a difficult case to maintain – the driver is clearly seen silhouetted in the cab.... Certainly, the Man vs Machine analogy rears up over the film but it is only a metaphor and Duel reads as a standard psychological thriller in every other way. It is a metaphor Richard Matheson is not unaware of... By the end, with the truck going over the cliff in slow-motion accompanied by a bestial roar and Dennis Weaver’s eventual reduction to non-verbal grunts as he conducts a dance of triumph, Steven Spielberg and Richard Matheson have symbolically stripped Mann to the point he is caveman fighting a primitive leviathan... [Spielberg withholds] any explanation for the grueling assaults... the very lack of an explanation behind the assault creates a sense of overwhelming anxiety."
 ==Synopsis (SPOILERS)==

@@ Line 70: / Line 70: @@
 * s____ (One Half Tentacle:  More or Less Non-Lovecraftian)
-''Duel'' has no real direct connection with Lovecraft's work, though the screenplay by [[Richard Matheson]] (no stranger to vaguely Lovecraftian storytelling) does manage to lend the tanker truck, all black with tinted windows and no evidence of a human driver, an aura of nameless, irrational, elemental menace in common with some of Lovecraft's nightmarish horrors.
+''Duel'' has no real direct connection with Lovecraft's work, though the screenplay by [[Richard Matheson]] (no stranger to vaguely Lovecraftian storytelling) does manage to lend the tanker truck, all black with tinted windows and no evidence of a human driver, an aura of nameless, irrational, elemental menace in common with some of Lovecraft's nightmarish horrors.  ''Duel'' is, in a way, a Lovecraftian conflict against vast, faceless, nameless horrors from the outer realms, portrayed in miniature as a struggle between one man alone in the desert against an irrational and reasonless machine driven by the unknown and unknowable.
 ''Note:  This rating is not intended as a measure of quality, merely of
@@ Line 92: / Line 92: @@
 {{spoiler|plot}}
 -->

@@ Line 146: / Line 146: @@
 character names, and that sort of thing.
 -->
-* There can be some power in punctuating super-natural or super-scientific alien threats from "the Mythos" with more ambiguous, and less obvious threats, suggesting a truly hostile universe where the investigators can be menaced personally, by the almost invisibly mundane, for no apparent rational reason at all.  Between investigations, the investigators encounter danger from out of nowhere in the form of a black tanker truck (or other menacing but common vehicle or large animal suitable to the era, with no apparent human element in control), forcing them into a life-or-death struggle with little chance to reason with it; the assaults seem personal, but in the end there is no real explanation for the aggression at all.
+* There can be some power in punctuating super-natural or super-scientific alien threats from "the Mythos" with more ambiguous, and less obvious threats, suggesting a truly hostile universe where the investigators can be menaced personally, by the almost invisibly mundane, for no apparent rational reason at all.  Between investigations, the investigators encounter danger from out of nowhere in the form of a black tanker truck (or other menacing but common vehicle or large animal suitable to the era) with no apparent human element in control, forcing them into a life-or-death struggle with little chance to reason with it; the assaults seem personal, but in the end there is no real explanation for the aggression at all.
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